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Segments: International Pop Underground: San Fran's Glenn Donaldson Gets Personal —and Jangly— with The Reds, Pinks & Purples — Triple R 102.7FM, Melbourne Independent Radio rrr.org.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from rrr.org.au Daily Mail and Mail on Sunday newspapers.
The Reds, Pinks & Purples' latest album paints hues of the Inner Richmond sfchronicle.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from sfchronicle.com Daily Mail and Mail on Sunday newspapers.
New Music Reviews (3/15) KEXP Each week, KEXP’s Music Director Don Yates (joined this week by DJ Alex) shares brief insights on new and upcoming releases. See what s coming up this week below, including reviews for new releases from Marinah, Heroínas (Nacional) This impressive fourth solo album from the former frontwoman for the Catalon band Ojos De Brujo is a seamless blend of traditional folk elements with hip hop and electronic beats and textures. DY Arab Strap – As Days Get Dark (Rock Action) This Scottish duo’s seventh album (and first in 16 years) is a strong set of bleak post-punk with atmospheric guitars, occasional synths, violin and sax, hypnotic drum-machine beats, spoken/sung vocals and sordid, unflinchingly honest lyrics revolving around addiction, sex, aging and death. DY ....
Segments: Teenage Hate: The Uncommon Weather Of Glenn Donaldson — Triple R 102.7FM, Melbourne Independent Radio rrr.org.au - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from rrr.org.au Daily Mail and Mail on Sunday newspapers.
Open share drawer Woods founder Jeremy Earl and psych-folk veteran Glenn Donaldson team for an effortlessly warm debut that feels alive with a sense of mutual discovery. Featured Tracks: âHeaven and Holyâ â Painted ShrinesVia Even in the inchoate early days of Woods, the sweet coo of founder Jeremy Earl turned his most elliptical lines into ready hooks. But like the collectives Elephant 6 or Lambchop a decade earlier, the amorphous band around Earl treated songs like playhouses, spaces where they might try anything. Harmonies spilled out through a mess of tape hiss; guitar solos curled like question marks. This casual idiosyncrasy was charming, a timely counter to indie rockâs burgeoning professionalism. In the decade since, however, Woods co-founder Jarvis Taveniere has become an adroit producer, and Earl has built a homespun empire of like minds through Woodsist. The stakes now ....