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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net., art daily,art news,artdaily, daily art, art, art newspaper, Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 360 Images, 3D Images, Last Week,, , , , , ....

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Art Industry News: Star Art Advisor Allan Schwartzman Has Joined Forces With a London Art-Market Power Broker + Other Stories

Plus, Frédéric Bruly Bouabré gets a major MoMA show and the Portland Museum of Art settles a labor disagreement with 14 ex-employees. ....

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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net., art daily,art news,artdaily, daily art, art, art newspaper, Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 360 Images, 3D Images, Last Week,, , , , , ....

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Kunstkolumne - Bildbetrachtung von Sabine Altorfer – diese Woche: Ein Drink in dieser Bar am Tag der Frau wäre grandios

Kunstkolumne - Bildbetrachtung von Sabine Altorfer – diese Woche: Ein Drink in dieser Bar am Tag der Frau wäre grandios
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Sophie Taeuber Arp , Sabine Altorfer , Kunstkolumne Bildbetrachtung , Museum House , Printing Exclusively , Subscribers On Monday , Stefan Altenburger Photography , அருங்காட்சியகம் வீடு ,

Aesthetica Magazine - New Dimensions


New Dimensions
Geometric shapes bend and interlock. Arcs, circles and straight lines pile up on top of each other. Shadows intersect and create deep crevices. These are works by Wyatt Kahn (b. 1983), a New York-based artist who, for the past ten years, has been shaping wooden stretchers to produce canvas-covered wall reliefs. In doing so, he engages with Modernist legacies of painting and sculpture.
Kahn’s newest pieces, on view at Galerie Eva Presenhuber, Zurich, are a stark, bright white. “I like to think of them as bare because I did not make them white, rather I left them unprimed and ungessoed as they were. This places the objects in a sort of limbo.” They also mark a point of departure for the artist, who usually works in two-dimensions. “This past year made me look back at the foundational structures of my practice and add layers of chaos on top of them.” Planes that would usually radiate outwards, right and left, now stack upwards – obstr ....

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