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Gatecrash review – opaque auto-accident drama

Last modified on Wed 24 Feb 2021 08.02 EST
Adapted from a play by Terry Hughes, this pent-up and then purgatively violent drama revolves around an offscreen car accident that sends a handful of characters colliding into each other. Clearly already dancing a miserable tango of abuse, Nicole (Olivia Bonamy) and Steve (Ben Cura) come home to their isolated house in the country, decorated in shades of taupe, grey and plum to match Nicoleâs bruises, after Steve runs over a stranger on the road on the way home from a party. Though he was driving and chose to leave the scene of the crime, he still blames Nicole for distracting him with an argument. As this display of toxic masculinity approaches its full operatic pitch, suddenly thereâs someone at the door: policeman (Samuel West), all creepy chirpy banter, whoâs wondering if theyâve seen anything strange lately.

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Action stars retreat to the land of B-movies

They were once the biggest of big box-office action heroes. Their face on a billboard was enough to sell popcorn by the tonne, and while critical credibility came and went, no one could argue their muscle in the arena of big dumb fun.
But when shunted aside by a new crop of young upstarts, it is nice to know that the one-time blockbuster star has a gentle pasture to retreat to in their later years to keep the bank balance ticking over - the B-movie.
Bruce Willis and Nicholas Cage both find themselves this week on the promo posters of two on-demand releases that in a normal world would have had scant hope of darkening the omniplex door. In Planet Covid, however, each of their respective outings - low-budget genre flicks designed for throwaway thrills - are on an equal billing with more lofty fare a mere swipe away.

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