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Deliberately accelerated the planes descent. Iranians took to the street last night to celebrate a breakthrough in Nuclear Talks with the west. Can the government there sell the deal to hardliners. Also in the program, alice takes a look at whats happening in business. Its a day for arachnophobes to look away as we look at how to make a killing without getting bitten. The brave investors out there who are crowd funding biotechnology. Hello. Its midday here in london 4 30 p. M. In tehran 2 30 in garissa, kenya, where grieving relatives are arriving at the scene of yesterdays massacre at a university in the countrys northeast. This was the scene of chaos yesterday. 147 people died in the attack which was claimed by the somali islamist group, al shabaab. The militants have singled out christian students. Many of those students were sleeping in their dormitories when the massacre began, and we hear now from some of those who survived. ....
Actually was drawn from our financial struggles trying to build this house in the berkley hills. But it also sort of shows you how real life intrudes into your work and how we either can listen to it and put it into it or try to ignore it. I usually choose to sort of put everything thats going on around me in the world when im reading what i find intellectually curious into the work, no matter what the story is. So lets turn our attention a little bit to these characters you have created, 9, i think, characters, all very extremely different from different backgrounds. You spoke just now about wanting to find an authentic voice for each of them and working from the inside out. So how do you go about creating specific voices for a jewish russian character by way of yokohama, for an African American character, for all these different characters . I know you worked with specific actors. Did they help at all . What was the process th ....
Actually was drawn from our financial struggles trying to build this house in the berkley hills. But it also sort of shows you how real life intrudes into your work and how we either can listen to it and put it into it or try to ignore it. I usually choose to sort of put everything thats going on around me in the world when im reading what i find intellectually curious into the work, no matter what the story is. So lets turn our attention a little bit to these characters you have created, 9, i think, characters, all very extremely different from different backgrounds. You spoke just now about wanting to find an authentic voice for each of them and working from the inside out. So how do you go about creating specific voices for a jewish russian character by way of yokohama, for an African American character, for all these different characters . I know you worked with specific actors. Did they help at all . What was the process th ....
And what ive even found is as i write characters now, for example in the play after the war, when i write characters that are not japanese american, that are African American, that are anglo american, as in this particular play, i have to be really really conscious of the fact that these characters, how they speak and the directness of their speech, in how aggressive or nonaggressive they are in certain situations, that i am seeing the world through that characters eyes and not my normal japanese american sort of perspective. Because my point of view, i have come to know, is a specific one, how my characters and how i talk to the world and interact with the world is very different than how other peoples might. So over the years i have learned how to both be aware of my own particular voice and how i have to also look beyond it if i want to write about other characters who are not part of a linage that has come from the internmen ....