Stop Run News Today : Breaking News, Live Updates & Top Stories | Vimarsana

actually all that inclusive. they are not all that welcoming. and they don't really stand with the immigrants and refugees and now they want them gone. take a look. >> the difficult challenges are, we have, at some point in time they have to move somewhere else. sfliet we cannot -- we don't have the services to take care of 50 immigrants, and we certainly don't have housing. we're in a housing crisis as we are on the island. so we don't -- we can't house everyone here that lives here and works here. we don't have housing for 50 more people. >> sean: for years i've always said liberal...

You have to see this show or you will regret missing it. I’m not aware of anything much like it at any time recently or otherwise.

Christopher Wool’s retrospective See Stop Run is located on the 19th floor of 101 Greenwich Street above a corporate lobby with a Rentbrella stand. After passing through elevators with stock updates ticking across video screens, you emerge on a long-empty floor to find a selection of the artist’s work over the last decade.

“You must be here for me,” said a woman sitting at a small desk in the lobby of 101 Greenwich. Whether we didn’t look like office workers, or there are no office workers who head into 101 Greenwich on a weekday afternoon, was left unexplained. We were shown to a dedicated elevator that whisked us to the nineteenth floor where artist Christopher Wool has rented the entire story to install his largest exhibition since his 2014 Guggenheim retrospective.

Nothing is for sale and the exhibition space is a very large, abandoned, stripped-raw office deep in the Financial District. It’s a derelict, grungy, lightly graffitied, semi-unpainted vacancy on the nineteenth floor, alive with light from countless large windows looking out in three directions over the New York Harbor and some of the most historically significant land in the city. It’s like being a kid again.