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‘The description becomes a psychic image, a political image of transformational potency.’ Kate Briggs and Lisa Robertson discuss becoming novelists, description as a political tool, and endings.
Her previously unreleased fiction—a novella and short stories—in Lament for Julia peek into the banal and nightmarish travails of married life.
As Merve Emre takes over the literary world, the book critic has received hate mail and gone head-to-head with top universities.
Her suicide, on the publication of her first novel, made her an icon of doomed femininity, but rediscovered works are revealing a more complex writer.