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SOMETIME IN JANUARY 2016, the Instagram profile known as “@whos＿＿who” went live. Who is who? A big question, in general. Anonymous and prolific, the account places apparently similar images, usually of artworks, in comparative assemblies published as single posts. At minimum, these posts feature two artworks, but often three, four, or more crowd the frame. Offered without explanation by their anonymous comparer, the resulting combos of artworks are blank screens for their beholders’ projections. The act signed @whos＿＿who was inaugurated by a jaunty pairing of two works side by side: one by Nicole ....
SOMETIME IN JANUARY 2016, the Instagram profile known as “@whos＿＿who” went live. Who is who? A big question, in general. Anonymous and prolific, the account places apparently similar images, usually of artworks, in comparative assemblies published as single posts. At minimum, these posts feature two artworks, but often three, four, or more crowd the frame. Offered without explanation by their anonymous comparer, the resulting combos of artworks are blank screens for their beholders’ projections. The act signed @whos＿＿who was inaugurated by a jaunty pairing of two works side by side: one by Nicole ....
An American Landscape | Dissent Magazine dissentmagazine.org - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from dissentmagazine.org Daily Mail and Mail on Sunday newspapers.
Amy Sillman is based in New York, USA. Her book Faux Pas (2020) is published by After 8 Books. In 2020, she had a solo exhibition at Gladstone Gallery, New York, and Artist s Choice: Amy Sillman, The Shape of Shape was on show at MoMA, New York. This autumn, she will have a show at Thomas Dane Gallery, Naples, Italy. Andrew Durbin is the editor of frieze magazine. He is the author of the novels MacArthur Park (2017) and
Image Credit: Amy Sillman, Untitled, 2020, acrylic on paper, 40 x 29 cm. Courtesy: the artist and Gladstone Gallery, New York and Brussels The Company ....
‘Mass incarceration’, a phrase that has gained much purchase in the last two decades, features prominently in the title of ‘Marking Time’ and a book published by Harvard University Press. Both are the culmination of more than ten years of effort by Nicole R. Fleetwood, Professor of American Studies and Art History at Rutgers University. Describing a phenomenon that began in the late 1960s – in which the prisons system ballooned exponentially – the term ‘mass incarceration’ is sometimes poorly interpreted, taken to mean that the problem is only one of scale or degree, not of kind. Today, many are convinced that there are too many prisons and too many people in them; far too few are convinced that there should be no prisons at all. ....