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Steveve carell: : hoo, hoo, ,. lisasa respers france: we e we usused to seeieing taylor r sws like thihis sweet, s strumminge guititar, talkining about ththy nenext door ththat she lovov. and d then here e she is, and she'e's standingng up. and she's s got her back up dadancers. and shshe's like, , you know w? i'i'm hip. i'm m cool. i'm m not here f for the hata. but shshe's not bebeen ablele to shake e off ththe controveversy from t that. [u[upbeat musisic] sean hall: i was in my car in atlanta on t the 10th anand 14th brir, gogoing over t the 75/85 s st when i heaeard "shake e it of" [taylol...

I was completely blown away. [guitar r strumming]g] i said, "l"listen, they reaeally are inincredibl, "and w we need to give e them a shohot. and if i it doesn't t work, thenen you can p push me out of thehe music meeeeting. - - tonight's s world premee video: it's from the seattle band nirvana. [sniffs] "smells like teen spirit." - ♪ load up on guns ♪ ♪ bring your friends, it's fun to lose ♪ - it w was like ththe musical kennededy assassinination of o our time. everybodody who was s alive tn cacan tell youou the momenet theyey heard thahat song, because nonothing likeke that existed t...

Will own the master and any slave recordings. a slave isis a copy ofof the ma. the roots s of these terms obviviously gogo back to t the very bibirta nation e era of whitite suprem. lisa r respers frarance: alalmost sincece the begining ofof the musicic industry,, there e have been n the feelig thatat white artrtists havee taken frfrom black a artists and mamade it intoto somethining that thehey felt wawas more palalatable for a whitite audiencece. shirley hahalperin: anand it hahappens in e every indusus. in f fashion, inin music, hihis- you naname it. the momoney doesn'n't flow. ththe attent...

Which have been for as long as recording has existed, has really been riding on the back of black talent. some recording contracts still say,y, the recorord compy willll own the m master andd any slslave recordrdings. a slave isis a copy ofof the ma. the roots s of these terms obviviously gogo back to t the very bibirta nation e era of whitite suprem. lisa r respers frarance: alalmost sincece the begining ofof the musicic industry,, there e have been n the feelig thatat white artrtists havee taken frfrom black a artists and mamade it intoto somethining that thehey felt wawas more palalatable f...

Sure tayaylor swift t will be sg fofor copyrighght infringegem. peteter andersonon: we've got two exextremes, whwhere it's identicacal copying g of this exact nunumber of rerepetitio, anand we've gogot the plaiaints work whehere there's's no repetitition at allll. but i i think no r repetitiont all l means it's's not protete. i think k there's anan argumet with thihis number of repetitit, it i is protecteted. intervrviewer 2: t thank you. peter ananderson: ththank you,u, your hononor. maririna v. bogogorad: i thik thatat was also o a point tht inflfluenced thehe ninth cicircuit sayiying, yeyes...