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"I decided to hang the exhibition mainly on chairs…" she says, before adding, "much in the same way I hang sculptures on chairs." That's the artist's introduction to 'Sarah Lucas: Happy Gas', a survey of the 35-year career of the English artist's work at Tate Britain, London. Her words barely explain a show of cocky, irreverent works that challenge gender-stereotyping with sometimes subtle, at times exaggerated innuendo. And she's right, with over 75 pieces on display, there are a lot of chairs in this show - and all are used to effect. Lucas...

The survey consists of four rooms and 75 works

Raucous, bawdy, sweary and crude, this major survey comprises works that are not always easy to stomach, but which make an important comment on our experiences of sex, class and gender