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Issues are still with us today. President jimmy carter signed the refugees act which raised the ceiling for refugees allowed in america. Held at the jimmy carter president ial library and museum in atlanta, this is an hour and a half. I want to lets get started again. Were going to start with our first panel. I will introduce the moderator, then she will introduce the panelists. Honored to introduce monica stadke. Shes with the raven group. I know monica from her time on the Judiciary Committee, House Judiciary Committee where she focused on immigration and refugees issues. Also i know monica ...

Clear many protesters were being brought in as organized groups from Mainland China. Still they would argue as a chinese city they have the right to defend it and its Embattled Police force accused by protesters of using brutality to break up largely Peaceful Demonstrations far from using Excessive Force these people say the police have shown remarkable restraint against hostile demonstrators and have paid a heavy price in terms of officers injured it comes amid reports that morale in the police force is also suffering ringback and on saturday news of a new threat is this standoff continues po...

"I decided to hang the exhibition mainly on chairs…" she says, before adding, "much in the same way I hang sculptures on chairs." That's the artist's introduction to 'Sarah Lucas: Happy Gas', a survey of the 35-year career of the English artist's work at Tate Britain, London. Her words barely explain a show of cocky, irreverent works that challenge gender-stereotyping with sometimes subtle, at times exaggerated innuendo. And she's right, with over 75 pieces on display, there are a lot of chairs in this show - and all are used to effect. Lucas...

A new retrospective celebrates the work of the British artist who has been mixing irreverence and innuendo to make sculptures, self-portraits, and works on paper that raise eyebrows since the 1980s.

Bananas, chairs, cigarettes, lightbulbs, fish: domestic items are mischievously anthropomorphised in ‘Sarah Lucas: Happy Gas’, the artist’s major retrospective at Tate Britain, Lo