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Across more than 50 plays and additional libretti for operas and ballets, Bond explored the rage and brutality that he saw as an essential part of the human condition.
Fifty years after the murderous coup in Chile, the U.K.’s most important political artist recounts how the Barbican censored his work to placate high-ranking Chilean finance officials and British bankers. ‘Santiago Stadium 1’. Photomontage by Peter Kennard. This image was covered