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50 Most Successful Musical Artists of All Time


50 Most Successful Musical Artists of All Time
By
Madison Troyer, Stacker News
On 2/13/21 at 10:00 AM EST
No matter how they come to music or what genre they fall into, almost every recording artist privately shares the same dream: to become an icon in the industry, transforming the face of music along the way. And while there are hundreds of talented and successful artists out there, very few will end up doing all of that. Most will have a hit or two, and many may even achieve a string of successful albums, but few will change the course of popular music or pave a new path for those who follow. ....

United States , Music Hall , United Kingdom , Joshua Tree , Long Island , Madison Square , City Of , San Francisco , Whitney Houston , Trisha Yearwood , Phil Collins , Frank Sinatra , Joe Perry , Paul Mccartney , John Lennon , Kenny Rogers , Natalie Maines , Bon Scott , Willie Nelson , Van Halen , Bruce Springsteen , Simon Garfunkel , Natalie Cole , Stevie Wonder , Linda Ronstadt , Marshall Mathers ,

The Chicks News


The Chicks
The Chicks, formerly the Dixie Chicks, are one of the most important groups in modern country music, and one of the most controversial. The group formed in 1989 in Dallas as a traditional bluegrass group, consisting of four women, including multi-instrumentalists Martie and Emily Erwin, who would remain core members. They released a string of independent albums, but it wasn t until they lost two founding members and brought in Natalie Maines in 1995 that they began to define the blend of traditional and contemporary country that would launch them to commercial success. Their major label debut album, 1998 s Wide Open Spaces, placed several hit singles including I Can Love You Better, the title track, You Were Mine and There s Your Trouble, and sold 12 million copies, catapulting the group to instant stardom and critical acclaim. 1999 s Fly debuted at No. 1 and spawned more hits with Ready to Run , Cowboy Take Me Away , Goodbye Earl and Some Days You ....

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The Chicks' 'Wide Open Spaces' Tracks, Ranked


This mid-tempo song opens simply with a guitar and a voice, almost angrily, declaring, “
There is no good reason I should have to be so alone.” The rest of the song is a balance between frustration and empathy, with a driving beat stopping things from ever getting too sad; you can almost see Natalie Maines laughing in frustration as she sings, “
God help me, am I the only one who’s ever felt this way?”
10
Never Say Die
“Never Say Die” is an optimistically (and purposefully) naive love song. Another mid-tempo song balanced somewhere between ballad and waltz, it has Maines’ narrator lying in the dark, declaring that “ ....

United States , Robin Lynn Macy , Elvis Presley , Rita Coolidge , Emily Erwin , Emily Strayer , Bonnie Raitt , Natalie Maines , Laura Lynch , Martie Maguire , Kris Kristofferson , Wide Open Spaces , Dixie Chicks , Sony Music Nashville , Monument Records , Can Love You , Open Spaces , Etta James , Only One , Never Felt This Way , Take Care , Theni Ll , Billboard Hot Country Songs , You Ve Loved , Sesame Street , Letter Better Than ,

Country Music Memories: The Chicks Debut 'Wide Open Spaces'


Formed in 1989 by Laura Lynch, Robin Lynn Macy and sisters Martie and Emily Erwin (now Martie Maguire and Emily Strayer), the Chicks released three albums as an independent band, in 1990, 1992 and 1993. In the summer of 1995, the then-trio (Macy had departed in 92) signed a developmental deal with Sony Music Nashville. Natalie Maines replaced Lynch as the Chicks lead singer, and Sony signed the revamped group as the first artists on their newly revived Monument Records imprint.
In October of 1997, the Chicks released I Can Love You Better as the first single from 
Wide Open Spaces; the song reached the Top 10 on the country charts (No. 7). The album s following three singles There s Your Trouble, Wide Open Spaces and You Were Mine all reached No. 1, while the disc s fifth and final single, Tonight the Heartache s on Me, also earned a Top 10 spot (No. 6). ....

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