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soaring to nearly 120 degrees. the dangerous temperatures only expected to get worse over the next few days. and the record heat is fueling several new brush fires here in southern california. they are erupting in size and they are forcing evacuations. nbc news meteorologist michelle grossman is tracking the numbers for us but we will begin with nbc marissa power instilling, phoenix. marissa, just how are people they re coping with this incredible heat? yes listen it is no secret phoenix is used to soaring temperatures but even people who live there are struggling to find relief amid what could only be described as a heat marathon. millions of americans waking up to yet another day of extreme weather. water logged for ahmaud bracing for more rain after catastrophic flooding. down, south extreme heat breaking more records coast to coast. from miami, until death valley, or the hottest place on earth is about to get even hotter. predicted this weekend to reach a scorch ....
killed in the nottingham attacks have addressed thousands at a vigil in the city centre. a minute s silence was held to remember students grace o malley kumar and barnaby webber, as well as ian coates, who was 65. police have been given more time to question a 31 year old man, who was arrested on suspicion of murder. our midlands correspondent navteonhal reports. bell tolls. silent, defiant, united. the people of nottingham chose to stand together in pain and love. for the first time since the tragic events of tuesday, at this vigil, we heard from all three families of those who died. starting with james coates, one of school caretaker ian coates three sons. it feels like he has touched a lot of hearts over the years, more than what we assumed and knew he had. so it has been really nice and heart warming to see the messages and that people come out and talk about how he was when they were younger and how he has helped them. some beautiful comments. my dad was an avid f ....
ah, well, it s actually still, for me, very exciting to be here. but i m trying to understand what has happened to this land of yours, because when you arrived here, this was an intensively farmed land, wasn t it? it was. my husband, charlie, inherited it from his grandparents when he was in his early 20s, and this was back in the 1980s. and every inch of the land was ploughed, it was producing arable crops and dairy. and we fully expected to be farmers for the rest of our lives. mm. 17 years on, we were £1.5 million in debt, tearing our hair out, and realised that, you know, this is very marginal land. we re walking on 320 metres of clay, over a bedrock of limestone, and it s an absolute pig to farm. so you were literally close to going out of business? yeah, the farm was a failing business. and we did everything we could. we diversified, we tried different crops, we tried different cows. we sold ice cream. we did everything we could. but always it was this clay that ....
who s a creative director from visual effects house framestore, now, it s important to remember always when you re dealing with this kind of stuff, that the ai doesn t understand what it s drawing. and actually that s what gives it its unique, quirky animation style. and actually that s what gives it its unique, quirky animation style. you can see in that robot there, the controls on the front, all the buttons are rippling and glitching. yeah. it can t keep them consistent over the number of frames you ve animated it. so thatjust seems to be part of the thing where it doesn t necessarily understand what needs to stay the same in the animation. funnily enough, actually, there s a moment where the girl robot spins her head around, and that was something that itjust did serendipitously. i didn t ask for that, and itjust did it. i mean, it s one of the interesting things about this, the sort of serendipitous nature of it giving you something unexpected, which is also part o ....
the characters weren t designed by illustrators and animators. instead, they were described in english to an ai, which then created them itself. the film was made by william bartlett, who s a creative director from visual effects house framestore, and who, like a lot of generative ai creators at the moment, put it together in his spare time. it started off life as a test. and i wanted to do a test that was more elaborate than just a couple of shots. i wanted to try and string together something which had a bit of narrative to try and drive the kind of ambition of the shots. will actually had to use different generative ai tools for different parts of the process. first, he asked midjourney to come up with some still images of the kind of characters that he wanted. and so i might describe a sort of vintage tin robot playing a trumpet, for example, and then you get a kind of set of images to choose from that you might or might not like. and the great thing is that it take ....