Leopoldo Smith // Getty Images As the sun set, a procession of floats, community members, and artists traveled along a nearly 2-mile stretch of Cesar Chavez Avenue from Evergreen Cemetery a nondenominational cemetery in Los Angeles that dates back to.
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Print Because it’s awards season, I’ve been knee-deep in historian Mark Cousin’s 15-part doc “The Story of Film: An Odyssey” and it is thoughtful, informative and takes a refreshingly global perspective on cinema. I’m Carolina A. Miranda, arts and urban design columnist at the Los Angeles Times, with the week’s essential culture news and Washington dogfluencers: The legacy of Chicano graphics “Mujer de Mucha Enagua, PA’ TI XICANA,” 1999, by Yreina D. Cervántez collages images that reflect a range of artistic influences. (Yreina D. Cervántez / SAAM) Corn tortillas and edible ink. Those were the highly unorthodox materials employed by a group of four Bay Area artists in the mid-2000s who called themselves