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James Van Pelt | File 770


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INTRODUCING BUTLER TO NEW READERS. Elizabeth Connor describes the work of “repackaging the Patternist Series for the Mother of Afrofuturism” in “How to Give Octavia Butler the Covers She Deserves” at
Literary Hub.
…After some back and forth and plenty of discussion with the editor acting as mediator we determined that by elegant, they likely meant more stylized human forms in more sophisticated poses, as well as a textural or brushy quality to the art (as there had been on the Parable books), that lent an air of being hand-drawn rather than machine-made. As for dynamic, we soon understood that the symmetry of the earliest comps was what the agent and estate were reacting against. By simply breaking the vertical axis and giving each cover a certain degree of asymmetry even as the figures revolved around a central “moon” shape that remained static they felt much more alive. The designer came back with revisions and, in relatively quick succession,  ....

Black Gate , New York , United States , Blind Lake , Serbia General , Ben Bova , Holly Schofield , Alex Cox , Adam Whitehead , Johnm Ford , Ursulak Le Guin , Patty Jenkin , George Floyd , Maryann Hartis , Jessica Jones , Paul Weimer , Jared Oliver Adams , Jamesh Burns , Johnw Campbell , Krysten Ritter , Veronica Mars , Elizabeth Connor , Alma Jo Williams , Philipk Dick , David Bischoff , Jewelle Gomez ,

Pixel Scroll 12/15/20 All These Pixels Are Yours. Except Europa. Attempt No Scrolling There


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(1)
INTRODUCING BUTLER TO NEW READERS. Elizabeth Connor describes the work of “repackaging the Patternist Series for the Mother of Afrofuturism” in “How to Give Octavia Butler the Covers She Deserves” at
Literary Hub.
…After some back and forth and plenty of discussion with the editor acting as mediator we determined that by elegant, they likely meant more stylized human forms in more sophisticated poses, as well as a textural or brushy quality to the art (as there had been on the Parable books), that lent an air of being hand-drawn rather than machine-made. As for dynamic, we soon understood that the symmetry of the earliest comps was what the agent and estate were reacting against. By simply breaking the vertical axis and giving each cover a certain degree of asymmetry even as the figures revolved around a central “moon” shape that remained static they felt much more alive. The designer came back with revisions and, in relatively qui ....

Black Gate , New York , United States , Blind Lake , Serbia General , Ben Bova , Holly Schofield , Alex Cox , Adam Whitehead , Johnm Ford , Ursulak Le Guin , Patty Jenkin , George Floyd , Maryann Hartis , Jessica Jones , Paul Weimer , Jared Oliver Adams , Jamesh Burns , Johnw Campbell , Krysten Ritter , Veronica Mars , Elizabeth Connor , Alma Jo Williams , Philipk Dick , David Bischoff , Jewelle Gomez ,

What toys from the past can tell us about how we predict the future


What toys from the past can tell us about how we predict the future
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If there’s one thing we know for certain about the future, it’s that we don’t know what will happen. But we can and do try to make predictions: about how climate change will affect our planet, what will happen to the economy, which jobs will be in demand and which ones will be obsolete.
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What if those predictions actually ended up affecting how the future unfolds, like self-fulfilling prophecies? It’s a question plaguing futurists, and now a project is trying to illustrate the problem by showing how things created in the past have colored the present. The simplest examples items that truly shape the minds of our next generations come in the form of children’s toys. ....

Rio De Janeiro , Estado Do Rio , Museum Of Future History , X Ray Specs , Future History , ரியோ டி ஜானிரோ , எஸ்டாடோ செய் ரியோ , அருங்காட்சியகம் ஆஃப் எதிர்கால வரலாறு , எக்ஸ் ராய் விவரக்குறிப்புகள் , எதிர்கால வரலாறு ,