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No More Rulers Presents Eric Haze Basquiat A$AP Ferg

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Watch Eric Haze and A$AP Ferg Talk Basquiat and the Blurring of Creative Mediums
As part of No More Rulers Convo series.
Hip-Hop, art and fashion carry a symbiotic relationship. Each informs the other and constantly evolve in tandem, but it wasn’t always that way. It wasn’t until the 1980s that these worlds, specifically street art and graffiti, became more accepted in the fine art world. To conclude the recent exhibition, “Writing the Future: Basquiat and the Hip-Hop Generation,” the MFA Boston has worked with No More Rulers on a roundtable conversation between graffiti legend, Eric Haze, rapper and cultural icon, A$AP FERG, with Simon Watson as the moderator. ....

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Writing the Future: Basquiat and the Hip-Hop Generation (closes July 25)

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Writing the Future: Basquiat and the Hip-Hop Generation (closes July 25)
“Writing the Future: Basquiat and the Hip-Hop Generation” is still on view until July 25, 2021, at the Museum of Fine Arts (MFA) in Boston (Ann and Graham Gund Gallery, Gallery LG31). Visit MFA Boston for more information, to make reservation, and to listen to “The Sounds of the Hip-Hop Generation,” a playlist created by “Writing the Future” co-curator Greg Tate, featuring music that inspired and came out of New York’s post-graffiti era. Also available is the exhibition catalog,
Writing the Future: Basquiat and the Hip-Hop Generation, edited by Liz Munsell and Greg Tate, with contributions by J. Faith Almiron, Dakota DeVos, Hua Hsu, and Carlo McCormick. [The museum is located at 465 Huntington Avenue, Boston, Massachusetts.] ....

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How Basquiat and Street Artists Left Their Mark on Hip-Hop Culture

Julianne McShane (
The New York Times, June 24, 2021) writes about the exhibition “Writing the Future: Basquiat and the Hip-Hop Generation.” She explains, “A dozen artists, most of them Black or Latino, are the subjects of an exhibition that aims to correct oversights in art history.”
By 1984, 24-year-old Jean-Michel Basquiat had already broken into the mainstream art world. But the onetime street artist still couldn’t shake the legacy of his teenage years spent writing graffiti on the streets of New York City mostly under the moniker of “SAMO,” which he often used to critique the commodification of art.
“There was really no ambition in it at all,” Basquiat told the interviewer Marc Miller that year in an episode of “ART/new york,” a video series on contemporary art. “It was stuff from a young mind, you know what I mean?” But the artist was not alone in his teenage pursuits: He was part of a constellation of young graffiti artists who used ....

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Boston Art Exhibit Explores Jean-Michel Basquiat Influence On Hip-Hop's Post-Graffiti Movement

Boston Art Exhibit Explores Jean-Michel Basquiat Influence On Hip-Hop's Post-Graffiti Movement
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Artdaily - The First Art Newspaper on the Net

The First Art Newspaper on the Net., art daily,art news,artdaily, daily art, art, art newspaper, Museums, Exhibits, Artists, Milestones, Digital Art, Architecture, Photography, Photographers, Special Photos, Special Reports, Featured Stories, Auctions, Art Fairs, Anecdotes, Art Quiz, Education, Mythology, 360 Images, 3D Images, Last Week,, , , , , ....

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