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Bob Daisley Interview: Ozzy Osbourne, Black Sabbath, Rainbow, Dio

Bob Daisley Interview: Ozzy Osbourne, Black Sabbath, Rainbow, Dio
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Gallery Isabelle van den Eynde Dubai presents Manal Al Dowayan in London


Gallery Isabelle van den Eynde Dubai presents Manal Al Dowayan in London
6 hours ago
Muhammad Yusuf,
Features Writer
Gallery Isabelle van den Eynde, Dubai, has presented Saudi artist Manal Al Dowayan’s first solo exhibition in London titled The Eternal Return of the Same (June 2 – 9) at Cromwell Place, with the support of Abu Dhabi Art and the Department for Culture and Tourism – Abu Dhabi.
The exhibition introduced some of the key works that will be part of the artist’s solo show in Dubai in November. The works not only deepen Al Dowayan’s nuanced interrogation of women’s shifting status within a metamorphosing Saudi society, but also intensifies her exploration of new material. A nod to Nietzsche’s concept of eternal recurrence, the title captures gestures of repetition and iteration undergirding the works. While the exhibition may have provided a moment of reflection on the need for reckoning, it also bears Al Dowayan’s hallmar ....

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How do magic tricks work? The science behind the fiction


You’ve probably heard the story of the time David Copperfield used sleight of hand to avoid being robbed. It’s the sort of story which feels ripped from a movie, using magic to avoid becoming the victim of a crime. Hollywood, however, took this concept and flipped it. 
Now You See Me introduced a crew of magicians working together to pull off a Robin Hood-style heist.
Now You See Me 2 (bafflingly not titled 
Now You Don’t), which celebrates its fifth anniversary this week, sees the team returning to their life of altruistic crime.
Movies employ magic of a kind, utilizing clever camera angles and technology to manipulate our perceptions and feelings. Stage or street magic, though, is much more intimate. A performer must successfully manipulate the perceptions of their audience, taking advantage of the way the brain works, without the benefit of a second take. ....

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