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Let's Score Todd To Death: July 2021 fangoria.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from fangoria.com Daily Mail and Mail on Sunday newspapers.
Noel Gardner , April 20th, 2021 09:12 From a read along sci-fi Italo/prog epic to rebooted darkside rave and juke via earthy Cornish analogue electronics, Noel Gardner is back once again with more tantalising sounds from the UK sonic fringes Yazzus I should probably draw up some sort of officially worded disclaimer for each intro to these columns, a kind of inverted pledge of allegiance, but to reaffirm: while it is fun and nice to write, every other month, about a pile of music whose ‘Britishness’ is its main common factor, I would erase every word of it from existence if that could somehow be a tradeoff for ‘Britain’ also ceasing to exist, conceptually. Shit, they can take me full stop if necessary. ....
Alamo Drafthouse — Parent Company of Mondo and Death Waltz — Files for Bankruptcy exclaim.ca - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from exclaim.ca Daily Mail and Mail on Sunday newspapers.
An unrivaled master of the macabre, John Carpenter is best known as the man behind horror classics like “Halloween,” “The Thing,” and “Assault of Precinct 13.” Rightly hailed as masterpieces on the strengths of their sharply unnerving stories and muscular direction, Carpenter’s best films also including “Escape from New York” and “They Live!” benefit from his pioneering work as a composer of electronic music. The adventurous synthscapes of these films heighten their atmospheres of dread and suspense by practically unquantifiable levels; try to imagine “Halloween” without its propulsive synths or “The Fog” without its hammering percussion. It’s been a decade since Carpenter last directed a film supernatural horror “The Ward” but his recent career focus on music has made it undeniable that the legendary filmmaker also deserves recognition as one of horror’s greatest composers. ....