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Pathfinder: Wrath of the Righteous Update 1.0.4d Patch Notes Today

Pathfinder: Wrath of the Righteous Update 1.0.4d Patch Notes Today
dualshockers.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from dualshockers.com Daily Mail and Mail on Sunday newspapers.

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Operation Stösser: Nazi Germany's Last Great Airborne Offensive at the Battle of the Bulge


Operation Stösser was launched during Germany’s last gamble: 
Wacht am Rhein (Operation Watch on the Rhine), Hitler’s offensive in the West which Americans know as the Battle of the Bulge, had as its ultimate objective the Belgian port of Antwerp. Recently captured, it was under repair to be reopened as a deep-water port.
When Antwerp was serviceable, the Allies would be able to bring supplies and reinforcements quickly to the front lines instead of transporting them across France from the Channel ports. To reach Antwerp, the German Army would push through the Ardennes Forest. An armored spearhead would attack in the Eifel plateau region of western Germany, lying between the Rhine and Moselle Rivers and the Luxembourg and Belgian frontiers. ....

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The True Story of a Nazi Officer's Bloody Blitz Through Belgium


The True Story of a Nazi Officer s Bloody Blitz Through Belgium
While Joachim Peiper’s destruction can be measured by the casualties on both sides and the number of tanks and vehicles destroyed, there is no metric to measure the pain and misery inflicted, only anecdotal evidence.
Here s What You Need to Know: During the Battle of the Bulge, German SS Lt. Col. Joachim Peiper led the most powerful armored unit in the campaign’s deepest penetration but all for naught.
As the Belgian town of La Gleize burned to the ground around him, 29-year-old SS Lt. Col. Joachim Peiper remained calm in his headquarters, listening to reports and issuing orders. Outside, his outnumbered tanks, exchanged fire with American armor. ....

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John Constable and Paul Huet: Marsh and Flood – Tate Papers


National Gallery, London
Much has been written about John Constable’s success at the Paris Salon of 1824, but his participation in the next Salon of 1827–8 has received far less attention. This relative neglect is perhaps not so surprising, given that the single painting he exhibited,
The Cornfield 1826 (fig.1), did not repeat his earlier triumph. The same Salon at which Constable met with a critical setback, however, also marked the debut of Paul Huet, the artist usually regarded as his closest French follower. But if critics and artists seem out of step in their attitudes to the English artist in the later 1820s, the real flowering of Huet’s engagement with Constable has often been overlooked, since it came more than a quarter of a century later. ....

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