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Ethan Stiefel and Johan Kobborg return, digitally, for new tour of Giselle


Stephen A’Court
The Royal New Zealand Ballet in rehearsal for Giselle, performed by Kadow and Albrecht is Joseph Skelton, right.
Debuting in 1841 in Paris,
Giselle tells the romantic-tragic story of a peasant girl who falls for a disguised stranger. When his identity is revealed as Count Albrecht, betrothed to another, the heartbroken titular character descends into madness and dies.
Its second act is dominated by the “Wilis”: ghosts of women who died after being betrayed by their lovers.
Stiefel and Kobborg’s re-imagining
maintains the story’s essence while reinventing aspects: the ghosts, for example, have a strength versus frailty, while Albrecht is untraditionally remorseful. ....

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Haunting ballet to open in Palmerston North


Giselle tells the story of an innocent and beautiful women who falls for a mysterious stranger.
“New Zealand audiences and dancers have shared an almost 70-year love affair with this ballet, which continues to enthral us all with its elegance and timeless story.”
She said the other-worldly romantic ballet had become a signature piece for the Royal New Zealand Ballet.
Former artistic director Ethan Stiefel and celebrated principal dancer, choreographer and director Johan Kobborg’s production of
Giselle first toured New Zealand in 2012 to packed audiences, returning in 2016 to equal acclaim.
The production then toured China, the USA, United Kingdom and Italy. In 2013, it was turned into a feature film by director Toa Fraser. ....

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Colorado Ballet Announces Plans for Its 2021/2022 Season | Press Release


Ballet MasterWorks.
“I am elated and hopeful today to announce Colorado Ballet’s full-length productions planned for the Company’s return to the stage in the Ellie Caulkins Opera House for the 2021/2022 season,” stated Artistic Director Gil Boggs. “We are incredibly grateful to everyone who has supported Colorado Ballet during this extraordinarily difficult time and made it possible for our dancers to continue dancing. Words cannot express how much we are all looking forward to getting back into the theater to perform, and back in front of our audiences.
It has been a year unlike any other, and our organization is exceedingly grateful to be in a position where we can make plans for returning to in-person performances. Now more than ever, artists and performing arts organizations are championing a message of hope, resilience, perseverance and love. These are the messages we all need right now, and we are thrilled at the prospect of getting our dancers back on the ....

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