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From "Wet End'' to "Coquitlam Island": New map shows the future of sea-level rise in BC dailyhive.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from dailyhive.com Daily Mail and Mail on Sunday newspapers.
The Ursula K. Le Guin Reread explores anew the transformative writing, exciting worlds, and radical stories that changed countless lives. In this final week, we’ll be covering Le Guin’s novel Tehanu (1990). Last year I embarked on a quest: to reread all of Ursula Le Guin’s works, including story and essay collections, and write about them for Tor.com a dream come true for any SFF critic. I’ve written about Le Guin for a year, covering her novels, stories, and essays from the beginning of her career (sometrulyjustOKstories) to her first novel of the 1980s, the strange anti-Narnia novel ....
In the 1950s and 1960s, a series of thinkers, beginning with Jacques Ellul and Marshall McLuhan, began to describe the anatomy of our technological society. Then, starting in the 1970s, a generation emerged who articulated a detailed critique of that society. The critique produced by these figures I refer to in the singular because it shares core features, if not a common vocabulary. What Ivan Illich, Ursula Franklin, Albert Borgmann, and a few others have said about technology is powerful, incisive, and remarkably coherent. I am going to call the argument they share the Standard Critique of Technology, or SCT. The one problem with the SCT is that it has had no success in reversing, or even slowing, the momentum of our society’s move toward what one of their number, Neil Postman, called ....
Un perfil de la comunidad: El nuevo editor para Sopris Sun está listo encargarse más contenido bilingüe e impulsado por la comunidad postindependent.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from postindependent.com Daily Mail and Mail on Sunday newspapers.
(1) INTRODUCING BUTLER TO NEW READERS. Elizabeth Connor describes the work of “repackaging the Patternist Series for the Mother of Afrofuturism” in “How to Give Octavia Butler the Covers She Deserves” at Literary Hub. …After some back and forth and plenty of discussion with the editor acting as mediator we determined that by elegant, they likely meant more stylized human forms in more sophisticated poses, as well as a textural or brushy quality to the art (as there had been on the Parable books), that lent an air of being hand-drawn rather than machine-made. As for dynamic, we soon understood that the symmetry of the earliest comps was what the agent and estate were reacting against. By simply breaking the vertical axis and giving each cover a certain degree of asymmetry even as the figures revolved around a central “moon” shape that remained static they felt much more alive. The designer came back with revisions and, in relatively quick succession, ....