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Remembering William T. Wiley, Bay Area Artist, Teacher and Notorious Punster

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William Wiley, ‘I Wish I Could Have Known Earlier that You Have All the Time You ll Ever Need Right Up to the Day You Die,’ 1970; Ink and watercolor on paper.
(San Francisco Museum of Modern Art; photo by Mary Ellen Hawkins)
William T. Wiley had many names over six decades as an artist. There were his alter egos Mr. Unatural and Zenry. Critics called him the Zen Cowboy, the Metaphysical Funk Monk, the Dude Ranch Dadaist and Huckleberry Duchamp handles that conjured California’s brew of folly, spirituality and rugged individualism. Few other West Coast artists inspired so many nicknames. One could chalk this up to Wiley’s thick mustache, blue jeans, boots and bolo tie. But there was something more elusive that aroused the image of a folk hero and that needed some kind of special name. He worked against the grain in a way that was knowingly oblivious, like someone slightly out of time or in possession of ancient wisdom. For many he was a sort of art w ....

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The Back Story: A Family's Legacy | Comstock's magazine

From its official opening in 1885, the Crocker Art Museum (then
known as the E.B. Crocker Gallery) has had a split personality.
While the claim that it is “the first public art museum founded
west of the Mississippi” isn’t inaccurate, it may be a bit
misleading. Potential visitors might read that and, unless they
are history buffs, delete it from their itineraries, believing
that the paintings, sculptures and drawings at the Crocker are
connected by cobwebs and must have been surgically removed from
cave walls.
However, the Crocker has long been a lure not only for modern
art, but also, as its collection evolved during the 20th century, ....

Leland Stanford Mansion , United States , Crocker Art Museum , City Of Sacramento , Amanda Austin , Richard Diebenkorn , Mel Ramos , Seth Babson , Linda Merksamer , Wayne Thiebaud , Roland Petersen , James Jackson Jarves , Joan Brown , Charles Gwathmey , Oscar Wilde , Elmer Bischoff , Gustav Friedrich Waagen , Anna Brownell Jameson , Marcy Friedman , Ulyssess Grant , Margaret Crocker , Michael Dunlavey , John Ruskin , Norton Bush , Luigi Lanzi , Edwinb Crocker ,

Terry St. John, landscape painter and museum curator, dies at 86

Terry St. John, landscape painter and museum curator, dies at 86
sfchronicle.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from sfchronicle.com Daily Mail and Mail on Sunday newspapers.

Berkeley High School , United States , New York , Stanford University , Yosemite National Park , San Jose Museum Of Art , Chiang Mai , California College Of The Arts , Mount Diablo , Berkeley Marina , San Francisco , Richard Diebenkorn , Sam Whiting , Joan Brown , Lisa Chadwick , Elmer Bischoff , William Steiger , David Park , Betty Friedman , Selden Gile , Robert Poplack , Jan Wurm , Louis Siegriest , Claire Thorsen , Lynda Covello , Young Museum ,

Suzanne Hudson on the art of Deborah Remington - Artforum International

Suzanne Hudson on the art of Deborah Remington
Deborah Remington,
Haddonfield, 1965, oil on canvas, 74 1⁄8 × 69 . © Deborah Remington Charitable Trust for the Visual Arts/Licensed by VAGA at Artists Rights Society (ARS), New York.
IN 1965, Deborah Remington returned to the East Coast after nearly two decades in California, memorializing her homecoming with the painting
Haddonfield, named for the New Jersey town where she was born. Below a skewed butterfly shape, a steely abstract form is bisected and from there stutters into a pictorial void as it fans out toward the edges. Centered in its vertical frame like a Cubist figure in a studio portrait, the complex shape self-differentiates from the ground, which features a subtly modulating gradient shading from total opacity at the top to the lighter if still penumbral glow that appears to emanate from the form’s base. Dore Ashton, in a catalogue for Remington’s first r ....

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