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The racialised reality of photography: 'Past Present...


From its very inception, the practice of photography has been imbued with racialised prejudices and biases; to accept this as a fact is imperative in understanding the work that photographers of colour, such as those included in
Past Present Currents, an exhibition that opened at Cape Town’s Association for Visual Arts Gallery gallery in mid-April (closing at the end of May), do to reappropriate and subvert the photographic medium.
Before photography, image making was largely done by artists who would draw or paint what they saw. While some were extremely skilled at lifelike renderings, the invention of photography captured life in unprecedented accuracy. ....

New York , United States , South East , South Africa , Cape Town , Western Cape , South African , Yvonne Vera , Annie Leibovitz , Sarah Lewis , Yonela Makoba , Luvuyo Equiano Nyawose , Vanessa Tembane , Amogelang Maledu , Yonela Makoba Yintoni Indoda , Yonela Doda , Thembakazi Matroshe , Simone Biles , New York Times , Cape Town Association For Visual Arts Gallery , Association For Visual Arts Gallery , Visual Arts Gallery , Past Present Currents , Present Currents , Shakes Nqaba Mbolekwana , Parasite Serie Artwork ,

Shakti: An Indian Unifier | Outlook India Magazine


outlookindia.com
2021-04-23T13:49:13+05:30
Curator Alka Pande of the Visual Arts Gallery of the India Habitat Centre, New Delhi, has written a book very close to her heart. On the acknowledgements page she writes, “This book is a divine gift. The belief in the divine has been ingrained in me ever since I can remember. It is the complete belief in the supreme energy that guides our lives the Adi Shakti.” This very personal belief finds focus in the image of the goddess, Sha­kti. Pande sets out to map all the 51 peethas, or the sacred spaces, where the goddess abides over four countries: India, Nepal, Bangladesh and Pakistan. ....

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