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A black chalk drawing by Rembrandt, most likely from 1641, at the Rembrandt House in Amsterdam, Netherlands, on July 1, 2021. An exhibition in Amsterdam explores the wandering life and untimely death of Hansken, an Asian elephant who became a spectacle in 17th-century Europe. Julia Gunther/The New York Times.
by Nina Siegal
(NYT NEWS SERVICE)
.- In Rembrandts 1638 etching Adam and Eve in Paradise, there are two symbols of good and evil. A dragon hovers over the couple as they contemplate the forbidden apple, representing the danger of temptation. And in the background, a little, rotund elephant romps in the sunlight, a sign of chastity and grace. The meaning of these symbols, while obscure today, would have been recognizable in 17th-century Europe. The dragon Rembrandt drew was a figment of his imagination. But the elephant looks surprisingly true to life. How did Rembrandt, who never traveled outside the Netherlands ....

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Wet Paint: Julian Schnabel Is Having a Baby at 70, Market Goes Gaga for Long-Dead Surrealist, & More Juicy Art-World Gossip

Wet Paint: Julian Schnabel Is Having a Baby at 70, Market Goes Gaga for Long-Dead Surrealist, & More Juicy Art-World Gossip
What rock star has a secret stash of George Condo paintings? What unlikely U.S. city is being scouted by a mega-gallery? Read on for answers.
May 21, 2021
Julian Schnabel at the LongHouse Reserve Summer benefit in East Hampton, New York. (Photo by Sonia Moskowitz/Getty Images)
Every week, Artnet News Pro brings you Wet Paint, a gossip column of original scoops reported and written by Nate Freeman. If you have a tip, email Nate at [email protected]

THE SCHNABEL CLAN GETS SCHNABELIER ....

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