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Louis Kahn: A Memoir


© 2021 
Simone Withers Swan
The memorable moments began in 1967. I was living in Manhattan when the New York State Council on the Arts, one of my clients, assigned me to write up the booklet for its first annual awards of which Louis Kahn was a recipient. I was to meet and interview the ten awardees. Eventually a ceremony would be held honoring them, my descriptive brochure handed out, and mailed to legislators in Albany who funded the council. By 1968, New York State was dedicated to supporting the arts, pressured by Manhattan.
I chose to investigate Kahn first. He was my hero in the contemporary world of architecture. Kahn was the star with students and faculty at Columbia University’s architecture school where I used to lurk and later lectured on Hassan Fathy. It was with intense anticipation that I traveled from Pennsylvania Station to Philadelphia to meet the grand architect for the very first time. At the 4th Street station, a rush of childhood memories came ....

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Metropolitan Museum of Art – NBC 5 Dallas-Fort Worth


designer
May 2, 2017
The color red made a dramatic show Monday night in the grand parade of fashion at the Met Gala, with co-chair Katy Perry in a veiled look created just for her by John Galliano and Pharrell’s wife, Helen Lasichanh, in one of honoree Rei Kawakubo’s avant-garde, armless jumpsuits..
Perry wore a veil with a silver head piece and black accents around.
Reporter
May 2, 2017 ....

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Keep cool: the concrete castles of Louis Kahn


Louis Kahn (1901–74) was an architect who designed buildings that looked like castles; this was true whether they were small Philadelphia villas or vast institutions such as his parliamentary complex in Dhaka. His style – which he arrived at only in his fifties – is characterised by what look like thick fortified walls of massive masonry pierced by simple geometrical shapes and sometimes topped with turrets, as if they have been designed by a necromancer or numerologist in the 13th or 14th century. The architectural historian Vincent Scully, an admirer, thought these buildings an intimation of divinity, and much writing about Kahn is overblown: ‘inventive power’, ‘personal discovery’, ‘fundamental geometry’ – that sort of thing. ....

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