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Donât look back: the year the world was finally wowed by our culture Weâre sorry, this service is currently unavailable. Please try again later. Dismiss Donât look back: the year the world was finally wowed by our culture As The Sydney Morning Herald celebrates its 190th birthday, three leading Australian writers consider the stepping stones to the development of Sydneyâs artistic culture. April 23, 2021 â 4.00pm Save Normal text size Advertisement Everything changed in the 1970s. Until then, for almost three-quarters of the 20th century, London was still our cultural âhomeâ and Australian artists as varied as singer Nellie Melba, dancer Robert Helpmann, pianist Eileen Joyce, and actors Judith Anderson and Peter Finch debuted on its iconic stages in order to make names for themselves. Painters like Sidney Nolan, and playwrights Alan Seymour and Ray Lawler also joined this cultural caravan but apart from our mos ....
Opera Australia s Merry Widow a non-serious operetta highly worthy of support We’re sorry, this service is currently unavailable. Please try again later. Dismiss Opera Australia s Merry Widow a non-serious operetta highly worthy of support By Peter McCallum Normal text size Reviewed January 5 Karl Kraus, pointed satirist of early 20th century Austro-German affairs, is reputed to have remarked that in Berlin, things were serious but not desperate, whereas in Vienna they were desperate but not serious. In a different sense the same might be said of Opera Australia’s return to the stage this year with Lehar’s The Merry Widow, although, in what they have so far committed to in their 2021 season, things promise to become more serious provided they don’t become more desperate. ....
Merry day at the opera as organisers seek out first timers We’re sorry, this service is currently unavailable. Please try again later. Dismiss Merry day at the opera as organisers seek out first timers Normal text size The Merry Widow, first-time Opera goer Mel Wasson expected melancholy and grandiosity as befitting an art form born of Renaissance Italy. What she and friend Simone Moncrieff discovered was a sumptuous and glitzy rom-com with the heart and spirit of a Rodgers and Hammerstein musical. First time opera-goers Mel Wasson and Simone Moncrieff were invited to a dress rehearsal of The Merry Widow. ....