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Ed Atkins premieres a new project at the New Museum


Ed Atkins premieres a new project at the New Museum
Ed Atkins, The Worm, 2021 (production still). Video projection with sound, 12:40 min. Courtesy the artist. Commissioned and produced by the New Museum and Nokia Bell Labs / Experiments in Art and Technologies.
NEW YORK, NY
.- Over the past decade, Ed Atkins (b. 1982, Oxford, United Kingdom) has created a complex body of work that considers the relationship between the corporeal and the digital, the ordinary and the uncanny, through highdefinition computer-generated (CG) animations, theatrical environments, elliptical writings, and syncopated sound montages. With these filmic and text-based artworks, Atkins tracks forms of feeling, living, and communicating hidden behind or curtailed by technological representation, which unfold into sensitive and often somber narratives. ....

United Kingdom , Gillian Rose , Jed Atkins , Marta Minuj , John Cage , Stan Vanderbeek , Antonin Artaud , Dennis Potter , Massimiliano Gioni , Lucinda Childs , Mark Leckey , Madeline Weisburg , Julie Martin , Robert Rauschenberg , Erika Balsom , New Museum , Fourth Floor , Contemporary Art Writing , Artificial Intelligence , Nokia Bell , Bell Labs , Edlis Neeson Artistic Director , ஒன்றுபட்டது கிஂக்டம் , கில்லியன் உயர்ந்தது , எட் அட்கின்ஸ் , ஜான் கூண்டு ,

Olivia Laing's Reading Piles Are Far From Organized


Olivia Laing’s Reading Piles Are Far From Organized
Credit.Jillian Tamaki
April 29, 2021
“There are something like 15,000 books in our house,” says the author of “Everybody” and other books, “including pretty much every poetry pamphlet published in the 20th century. It’s a problem.”
What books are on your night stand?
Seed catalogs, and a book that says on the cover “Bear I love you, bite my head off” (on closer inspection it’s called “Bear,” by Marian Engel).
What’s the last great book you read?
“In the Cut,” by Susanna Moore. Vicious, idiosyncratic, stylish, erotic, frightening. It’s a noirish feminist thriller about a woman who witnesses a murder. Up there with the great New York novels. ....

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On Vulnerability | Katherine Angel


It’s tempting to insist that women are themselves the authority on their desires; that they categorically know what they want. But is anyone an authority on themselves, whether on their sexuality or anything else? I don’t think so – and I’m not sure that insisting so gets us very far. Women are not the authority on themselves – not because they, unlike men, have difficulty detecting their ‘true’ desires, but because no one, perhaps especially when it comes to sex, is an authority on themselves.
In
Vendredi Soir, Claire Denis’s film adaptation of Emmanuelle Bernheim’s novel, Laure is moving out of her flat where she lives alone. We see her packing up boxes to move in with her boyfriend the next morning; after spending a while mulling over outfits, choosing what to give away and what to keep, she gets in her car to drive to some friends’ for dinner. It’s a foul night – torrential rain and a transport strike have the roads in gridlock. ....

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