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100 years of Satyajit Ray: How relevant is the maestro today?


- Martin Scorsese
‘‘Not to have seen the cinema of Ray means existing in the world without seeing the sun or the moon.’’
-
Akira Kurosawa
One is an American master and the maker of timeless Hollywood classics like ‘Taxi Driver’ or ‘Goodfellas,’ the other the Japanese auteur who is regarded as one of the most influential filmmakers of the 20th century. The sense of respect and admiration for Ray, the man who was responsible for taking Indian cinema to the global audience, was one of the few factors they would have had in common.
It’s a pity that the Covid-19 pandemic, like so many other things in our lives, have deprived his family and Kolkata - his own city - from celebrating his 100th birth anniversary on Sunday (May 2). The fact that it’s also the day for counting of votes after a volatile, protracted assembly elections in West Bengal over March-April, means the opportunities for his retrospectives, appraisals in TV talk shows and what ha ....

United States , Gulf News , United Arab Emirates , United Kingdom , Jammu And Kashmir , West Bengal , City Of , San Francisco , Rabindra Bharati University , Apur Sansar , Bharat Ratna , Arindam Sil Aborto , Hirak Rajar Deshe , Mrinal Sen , Smita Patil , Rabindranath Tagore , Akira Kurosawa , Marlon Brando , Ritwik Ghatak , Buddhadeb Dasgupta , Shilpa Ranade , Bagha Byne , Sukumar Ray , Sukumar Roy , Pather Panchali , Ray Brando Satyajit ,

Satyajit Ray: A secret bond with children


Satyajit Ray: A secret bond with children
On the Birth Centenary Year of Satyajit Ray, the maestro’s work will be revisited again and again by admirers and critics. Among others, an area worth exploring is how the creative genius portrayed, and treated, children in his films and stories, writes Shoma A. Chatterji
Who can ever forget that beautiful B&W visual of little Apu and his sari-clad sister Durga running through the white kaash flowering fields to see the train? Or, Apu inspecting his proud image in a mirror sporting a hand-made paper crown and a moustache, in Satyajit Ray’s debut film Pather Panchali? ....

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