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Loki as Other: Why Do Queer and Female Viewers Love the Trickster?

Loki as Other: Why Do Queer and Female Viewers Love the Trickster?
tor.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tor.com Daily Mail and Mail on Sunday newspapers.

Loki as Other: Why Do Queer and Female Viewers Love the Trickster?

Loki as Other: Why Do Queer and Female Viewers Love the Trickster?
tor.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from tor.com Daily Mail and Mail on Sunday newspapers.

Lessons – Poetry Class

featured Tell & See: National Poetry Day 2020 visionary poetry resource Explore Diamonds by Evelyn Byrne, a commended poem in the Foyle Young Poets of the Year Award 2019 with the help of shiny fish, and celebrate this year s National Poetry Day, with the theme of Vision. Download featured Eco-poetry National Poetry Competition writing resource from Pascale Petit Explore two National Poetry Competition prize-winning poems that address ecological themes with poet, teacher and former NPC judge Pascale Petit. This resource was commissioned by The Poetry Society as part of the 2020 National Poetry Competition. We recommend this resource is used for KS5 and older.

9781590177730: Journey by Moonlight (New York Review Books Classics) - AbeBooks

An NYRB Classics Original The trouble begins in Venice, the first stop on Erzsi and Mihály s honeymoon tour of Italy. Here Erzsi discovers that her new husband prefers wandering back alleys on his own to her company. The trouble picks up in Ravenna, where a hostile man zooms up on a motorcycle as the couple are sitting at an outdoor café. It s János, someone Mihály hasn t seen for years, and he wants Mihály to come with him in search of Ervin, their childhood friend. The trouble comes to a head when Mihály misses the train he and Erzsi are due to take to Rome. Off he goes across Italy, wandering from city to city, haunted and accosted by a strange array of figures from the troubled youth that he thought he had left behind: There are the charismatic siblings, Éva and Tamás, whose bizarre amateur theatricals linked sex and death forever in his mind; Ervin, a Jew turned Catholic monk who was his rival for Éva s love; and again, that ruffian on the motorcycle.

The rise and fall of the Oxford School of fantasy literature

Much has changed in the fantasy genre in recent decades, but the word ‘fantasy’ still conjures images of dragons, castles, sword-wielding heroes and premodern wildernesses brimming with magic. Major media phenomena such as Harry Potter and Game of Thrones have helped to make medievalist fantasy mainstream, and if you look in the kids’ section of nearly any kind of store today you’ll see sanitised versions of the magical Middle Ages packaged for youth of every age. How did fantasy set in pseudo-medieval, roughly British worlds achieve such a cultural status? Ironically, the modern form of this wildly popular genre, so often associated with escapism and childishness, took root in one of the most elite spaces in the academic world.

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