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Amelie von Wulffen Paints Our Collective Subconscious


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Amelie von Wulffen Paints Our Collective Subconscious
At KW Institute for Contemporary Art, Berlin, more than 250 works offer dark and eccentric makeovers of psychoanalysis and kitsch
Amelie von Wulffen’s exhibition at KW, her first institutional solo in Berlin, opens with ‘Die Graue Partizipation’ (The Grey Participation, 2001) – a series of faint, colourless sketches the artist made from photographs she had taken at concerts and club nights, mostly showing backs of heads and cropped limbs. It’s an elegantly tongue-in-cheek introduction to an artist best known for works that are the antithesis of grey and all its connotations. The title can be read as a reference to both the necessary partial presence of the one who wields the pen and the only half-mindedly engaged subjects she renders. The exterior world, it seems, looks sparse through Von Wulffen’s eyes. As such, the far more bombastic canvases in the subsequent rooms shoul ....

Graue Partizipation , Biene Maja Maya , Galerie Barbara Weiss , Frank Sperling , Galerie Meyer Kainer , Kw Institute For Contemporary Art , Die Graue Partizipation , Grey Participation , Von Wulffen , Contemporary Art , Biene Maja , Musische Mutter , Schwesternim Schrank , Ohne Titel , Hoofed Animal , கேலரி பார்பரா வெயிஸ் , வெளிப்படையான ஸ்பெர்லிங் , க்வ் நிறுவனம் க்கு சமகால கலை , சாம்பல் பங்கேற்பு , சமகால கலை ,

How 'Liquid Modernity' Shaped Art and the World


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How ‘Liquid Modernity’ Shaped Art and the World
Art and the climate share a crucial trait – rapid change. Carson Chan explores how a theory of ‘liquid modernity’ has made new waves in art and asks: What if art institutions acted like water?
In
Liquid Modernity (2000), philosopher Zygmunt Bauman characterized the 21st century as marked by the dissolution of the ideological superstructures that long organized and dominated the Western world. ‘Fluids’, he wrote, ‘neither fix space nor bind time. Fluids do not keep to any shape for long and are constantly ready (and prone) to change it.’ To dwell in change means to shed fixed axioms, a phenomenon we see readily in the way categories like gender, sexuality and race have become more self-defined, and structures of domination – white supremacy, patriarchy and speciesism – are actively being dismantled. ....

New York , United States , White House , District Of Columbia , French Polynesia , Papua New Guinea , Jefferson Memorial , Middle Passage , Fiji General , City Of , United Kingdom , Peter Fend , Joachim Schulz , Ute Meta Bauer , Julieta Aranda , Pamela Rosenkranz , John Akomfrah , Werner Herzog , Chus Mart , Joerg Lohse , Timothy Morton , Enrico Fiorese Olga Balema , Francesca Thyssen Bornemisza , Markus Reymann , Popel Flint , Josh Kline ,