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Pope.L's first solo show in London in more than a decade on view at Modern Art


Pope.L s first solo show in London in more than a decade on view at Modern Art
Pope.L, Notations, Holes and Humour, Modern Art Bury Street, exhibition view, 15 July - 28 August 2021. Courtesy: the artist, Modern Art, London and Mitchell-Innes & Nash, New York, USA. Photo: Tom Carter.
LONDON
.-Modern Art is presenting a solo exhibition of work by Pope.L entitled Notations, Holes and Humour. This is Pope.L’s first exhibition with Modern Art, and his first solo show in London in more than a decade.
Pope.L’s exhibition with Modern Art centres on his ongoing project, Skin Set, a constantly growing and shifting group of text-inflected works across many media that consider the construction of language, identity and stereotype as notation, hole and frequently absurdity and humour. The show, installed on both floors of the gallery, contains video, silkscreen, assemblage, floor pieces and paintings made between 2015 and 2021. On view are several medicine cabinets origin ....

New York , United States , University Of Chicago , Pratt Institute , New South Wales , Museum Of Modern Art , Whitney Museum Of American Art , City Of , United Kingdom , Andy Warhol Foundation , Joyce Foundation Award , Museum Of Contemporary Art Chicago , Public Art Fund , Rutgers University , Creative Capital Foundation , Studio Museum Harlem , Tiffany Foundation Award , Walker Art Center , Study Program , Renaissance Society , Jerome Foundation , Sculpture Center , Montclair State College , National Endowment For The Arts , Modern Art , Skin Set ,

Sikkema Jenkins & Co. presents a group show featuring works by Brenda Goodman, Arturo Herrera, and Cameron Martin


Sikkema Jenkins & Co. presents a group show featuring works by Brenda Goodman, Arturo Herrera, and Cameron Martin
Installation view.
NEW YORK, NY
.-Sikkema Jenkins & Co. is presenting a group show featuring works by Brenda Goodman, Arturo Herrera, and Cameron Martin. The exhibition explores each artists’ unique interpretation of abstraction through the accumulation of layers. Cameron Martin’s works on paper ripple with the meticulous application of marker, melding stroke into stroke to effect a shimmering, dimensional color field. His canvases are painted in overlapping, often transparent layers using techniques that complicate the distinction between the handmade and the mechanical. Both Brenda Goodman and Arturo Herrera consider the presence of negative space in their paintings, through differing compositional processes. Herrera’s collages are created by the application of loose, bold paint strokes upon cut photographs and found media. Alternately concealing and ....

United States , Museum Of Art , New York , University Of Illinois At Chicago , Museum Of Modern Art , City Of , United Kingdom , New Zealand General , New Zealand , Distrito Federal , Art Institute Of Chicago , Metropolitan Museum Of Art , Bass Museum Of Art , Officine Grandi Riparazioni , Cameron Martin , Brenda Goodman , Arturo Herrera , Louis Comfort Tiffany Foundation , College Of Creative , Guggenheim Foundation , University Of Tulsa , Museum Of Contemporary Art , Museum Of Contemporary Art Chicago , Whitney Museum Of Art , Brown University , Whitney Independent Study Program ,