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Dallas Museum of Art to Return Sacred Statue to Nepal

Dallas Museum of Art to Return Sacred Statue to Nepal
The museum is returning the sculpture, which was looted from a temple in the 1980s. The move comes after researchers raised concerns about its provenance.
This sacred stele of Lakshmi-Narayana was taken in 1984. It is now going to be returned to Nepal.Credit.Dallas Museum of Art
By Zachary Small
March 4, 2021
A stone sculpture representing a Hindu deity is making its way back to Nepal nearly 40 years after it disappeared from a temple shrine and ended up in the Dallas Museum of Art.
For more than eight centuries, the sacred stele of Lakshmi-Narayana, a manifestation of the Hindu deities Vishnu and Lakshmi, watched over devotees in the Nepalese city of Patan until it suddenly disappeared, stolen by looters in 1984. Six years later, the eight-armed figure reappeared at auction at Sotheby’s, selling to a collector, who then lent it to the Dallas museum. ....

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Incredibly Detailed Sculptures Out Of Scrap Metal By Alan Williams (56 Pics)

Brighton-based UK artist Alan Williams is a sculptor who is well-known for his ability to bend and handle metal that one would simply consider junk or scrap. Using recycled scraps, Alan creates some very incredible and detailed and mostly animal-themed sculptures. For the most part, though, his creative exploration began when he was still but a child. He started making fantastic hybrid creatures using old toys and a tube of glue.
The artist’s sculptures vastly vary in size, as some of the sculptures are more than life-sized and all of them are hand-made in his workshop garage. Most of his work revolves around making octopuses in various sizes, but Alan mostly makes them based on commissions, though he hopes to someday make one for himself too. ....

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Artist Dozie Kanu on disobedience and upending the norm

Nigerian-American artist Dozie Kanu on disrupting the norm
Nigerian-American artist Dozie Kanu on disrupting the norm
With an exhibition at Galeria Madragoa in Lisbon, Dozie Kanu talks discarded objects, disorderly design and architectural ambition in an interview for Wallpaper’s March 2021 issue
Dozie Kanu at his studio in Santarém, Portugal, with works in progress.
Photography: Luther Konadu
Dozie Kanu creates artworks that are disobedient and stubbornly slippery. They resist classification and exist instead as communicative or performative objects. These objects are filtered through a personal lens drawn from the artist’s lived experiences as a Nigerian-American and member of the diaspora, both anchored in a Blackness the poet Fred Moten describes, in his book ....

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Carol Bove's Light-Touch Heavy Metal Faces Down the Met

Carol Boveâs Light-Touch Heavy Metal Faces Down the Met
The American sculptor is the second artist invited to occupy the sculptural niches on Fifth Avenue.
Carol Bove at her studio last November in Red Hook, Brooklyn, in front of her unfinished sculptures for the front niches of the Metropolitan Museum of Art. In the back, left, is a plaster replica of part of the museumâs facade.Credit.George Etheredge for The New York Times
March 4, 2021
âI didnât want them to sit politely on the pedestals,â Carol Bove said to me this past summer.
The sculptor was tiptoeing around a pile of crushed, tangled steel tubes, lying on the floor of her studio in the far south of Brooklyn. Sheâd reopened her workshop after a pandemic shutdown, and all around were the accouterments of art and industry. Forklifts and girders. Weldersâ masks and hazmat suits. But there was also, rather incongruously, a shadow of a century past: a huge plaster replica o ....

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The dreamlike concrete art of David Umemoto

Concrete poetry: the architectural sculptures of David Umemoto
Concrete poetry: the architectural sculptures of David Umemoto
Canadian artist David Umemoto’s new
Folded Stone series – on view at Modern Shapes Gallery, Antwerp – uses Japanese kirigami to evoke postmodernist dreams
Deambulatoire #5.
Photography: David Umemoto
Staircases lead nowhere; walls bring passages to an abrupt halt; ceilings appear without warning. In the surreal world of David Umemoto’s brutalist concrete sculptures, reality has little authority and imagination roams free.
Like many creatives during the pandemic, the Canadian artist was deprived of studio access for many months, forced to find new modes of creation. This prompted a period of exploration, ‘mental gymnastics’ and though the artist was well versed in planning his concrete sculptures on paper, he set himself a new challenge. ....

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