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Verve {in} Verse: Jennifer Militello « Kenyon Review Blog

POETRY, and
Tin House; she has been awarded the Barbara Bradley Award, the Yeats Poetry Prize, the Ruskin Art Club Poetry Award, the Betty Gabehart Prize, and the 49th Parallel Award. She is currently a faculty member in the MFA program at New England College. Today she takes a moment to talk with us about her new book, which challenges existing notions about the love poem, for “but what are poems for if not to express extremity? If not to both rage about and celebrate obsessions?”
Rosebud Ben-Oni: I
really felt what you had to say about love in your opening poem “Agape Feast,” especially the last lines: “Its mercy is electric, it is storied, it is rank./ Its mercy is a tablet dissolved in a glass,/more invisible the more you drink.” Can you tell us how this breathtaking poem (which is a gift to read aloud!) sets the stage, so to say, for the rest of the poems in ....

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Jillian Weise and Ishmael Reed in Conversation -…

Lindsay Garbutt: Welcome to
The Poetry Magazine Podcast. I m Lindsay Garbutt. This week, I m very excited to introduce this conversation between The Cyborg Jillian Weise and Ishmael Reed. Reed is a writer whose decades of work have been immensely influential to Weise. They ve shared stages and pages in their work as poets, performers, editors, and activists. They both wield humor and satire to seriously consider the violence of our governments, our literature, and the many other forms of erasure that are enacted on the lives and works of disabled people.

Reed was born in Tennessee in 1938, and Weise was born in Texas in 1981. Across that 40-year age difference, they share a sort of poetic kinship. Their conversation today ranges from working across genres, smashing tokenism, and the joy of making up new words and new paths. You ll also hear each of them read from some of their recent work. Now, here s The Cyborg Jillian Weise and Ishmael Reed. ....

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