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MusicalAmerica - MA's Free Guide to (Mostly) Free Streams, March 1-8


Verdi’s
La Traviata. Conductor: Giacomo Sagripanti, director: Simon Stone. With Pretty Yende, Juan Diego Flórez, Igor Golovatenko, and Margaret Plummer. Register for free and view here. LIVE
2 pm ET: London Symphony Orchestra presents
Rattle conducts Stravinsky. Sir Simon Rattle conducts the LSO in Stravinsky’s Octet for Wind Instruments,
Symphonies of Wind Instruments (1920),
Four Norwegian Moods, Suite No 1, and Suite No 2. View here.
2 pm ET: VOCES8 Live from London, Spring presents
Joanna MacGregor. To celebrate International Women’s Day, pianist Joanna MacGregor curates a journey from the Deep South to New York, from Russian poetry to an African paradise. The program includes Florence Price’s spiritual arrangements, Margaret Bond’s ....

United States , Die Liebe , Saint Paul , San Francisco , Los Angeles , City Of , United Kingdom , Lincoln Center , Jordan Hall , New York Public Library For The Performing Arts , New York , Queen Mary , New South Wales , Simon Stone , Miami Beach , Basse Normandie , Buenos Aires , Distrito Federal , War Memorial Opera House , France General , Longy School Of Music , Romania General , Deep River , Carnegie Hall , Beech Tree , Bryanskaya Oblast ,

MusicalAmerica - MA's Free Guide to (Mostly) Free Streams, Feb. 22-March 1


7 pm ET: Lawrence Brownlee presents
The Sitdown with LB. The tenor’s Facebook Live series returns with an unfiltered and honest look inside the opera industry. This week: Management, featuring Matthew Horner (IMG Artists) and Alex Fletcher (Fletcher Artist Management). View here. LIVE
7:30 pm ET: Met Opera Streams presents
Donizetti’s
Don Pasquale. Starring Beverly Sills, Alfredo Kraus, Håkan Hagegård, and Gabriel Bacquier, conducted by Nicola Rescigno. Production by John Dexter. From January 11, 1979. View here and for 24 hours.
7:30 pm ET: SalonEra presents
Jewish Diaspora. Recorder virtuoso Daphna Mor explores Sephardic song and Jewish liturgical poetry while viola da gamba player Elizabeth Weinfield highlights the contributions of 17th-century converso composer Leonora Duarte. Additional guests to be announced. View here. ....

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MusicalAmerica - MA's Free Guide to (Mostly) Free Streams, Feb. 8-15


12 pm ET: Mark Morris Dance Group presents
Dido and Aeneas. A screening of the 1995 film directed by Barbara Willis Sweete who recreated the
Dido and Aeneas set on a sound stage in Toronto and filmed it without the constraints of a proscenium stage and with Morris in his critically acclaimed role. The screening will be followed by a live Q&A with Morris and Sweete and launches a week of activities including talks with dancers and artistic collaborators. Dance with MMDG classes for all levels to learn excerpts of the work; Dance for PD classes appropriate for anyone with mobility concerns. View here and on demand for one week. ....

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Brno Philharmonic rehearses Thomas Larcher's symphony inspired by mountains


The Brno Philharmonic Orchestra is currently recording the world premiere of a symphony written by Austrian composer Thomas Larcher, one of the world’s most renowned contemporary musicians. The title of the symphony,  A Line above the Sky, refers to one of the world’s most difficult climbing routes in the Dolomites.
The symphony No. 3, A Line above the Sky, was commissioned by six European orchestras, including the Brno Philharmonic and was originally scheduled to have its world premiere last May in Amsterdam. However, the plans were thwarted by the outbreak of the coronavirus pandemic.
Members of the Brno Philharmonic are currently rehearsing the piece under the baton of its chief conductor and artistic director Dennis Russell Davies. ....

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RPO taps veteran maestro Andreas Delfs as music director


Jacob Walsh
/ CITY
Originally published on January 27, 2021 10:01 am
Andreas Delfs, the seasoned maestro who the Rochester Philharmonic Orchestra named Tuesday as its new music director, is a conventional choice to lead the organization into its centennial year. But there will be something unconventional waiting in the wings of each concert.
“After a long performance, a beer very much revitalizes and re-energizes me,” he said. “I normally have a deal with the stagehand to have one ready for me right when I come offstage. I haven’t established that rapport here yet.”
Delfs, 61, leaned back in his chair as he spoke, a knee resting on a table, a blue sweater over a dress shirt with French cuffs, projecting an air of casual refinement and the confidence of a conductor at a point in his career at which, as he put it, he has nothing to prove to himself or others. ....

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