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Peter Weir Retrospective: The Cars That Ate Paris (1974)

Peter Weir Retrospective: The Cars That Ate Paris (1974)
flickeringmyth.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from flickeringmyth.com Daily Mail and Mail on Sunday newspapers.

Peter Weir Retrospective: The Truman Show (1998)

Peter Weir Retrospective: The Truman Show (1998)
flickeringmyth.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from flickeringmyth.com Daily Mail and Mail on Sunday newspapers.

Cutting Edge: A conversation with film editor Peter Honess

Cutting Edge: A conversation with film editor Peter Honess
flickeringmyth.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from flickeringmyth.com Daily Mail and Mail on Sunday newspapers.

Fabricating the Gods: Wendy Partridge talks about Thor: The Dark World

Fabricating the Gods: Wendy Partridge talks about Thor: The Dark World February 8, 2014 by admin Comic book adaptations are nothing new for Wendy Partridge who was responsible for the costume designs for Hellboy (2004) before becoming involved with Thor: The Dark World (2013).  “I got a call from Marvel at the request of Patty Jenkins [ Monster], who was at that time the director lined up, interviewed with her and was offered the job; even though she and Marvel parted ways later on, I remained on the project for the duration.”  Replacing Jenkins behind the camera was Alan Taylor who has helmed episodes of the HBO fantasy epic

Perspectives: Simon Barry and Rachel Nichols talk about Continuum

Perspectives: Simon Barry and Rachel Nichols talk about Continuum May 14, 2014 by admin Simon Barry “TV is more of a master to serve because you have this incredible schedule of production and post-production,” observes Simon Barry who wrote the feature screenplay for The Art of War (2000) starring Wesley Snipes ( Blade), and is the creator and showrunner for Continuum [Showcase, 2012 to present].  “It’s close to the bone in regards to the time you have to make, get the show out and give it to the network.  TV has a higher pace but film can be just as gruelling in terms of the demands of filming and the problems that have to be solved.”  There is no two year wait to have an episode appear on the small screen.  “It is a quick turnaround which in some ways forces you into a work schedule that eliminates a lot of second guessing and questions that you would normally have the time to ask when you’re doing a movie.  It can make you more efficient in an interest

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