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When art meets data | Review of Painting by Numbers

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Art history has only partly emerged from the shadow of Giorgio Vasari, whose
Lives of the Most Excellent Painters, Sculptors, and Architects is its foundational text. Cognitive aesthetics, or the study of art in light of the psychology of perception, is a half-century old, as are various computer-based techniques of art analysis. But the broader discipline remains dominated by monographic studies of figures or movements distinguished by talent or genius, with great emphasis on biography and the effects of inspiration and experience on individual works. The composition of the canon, and its biases and blind spots, has been a major theme of art criticism, but often, the tone is more polemical than measured and reflective. In ....

United States , France General , United Kingdom , Kirsten Swinth , Diane Seave Greenwald , Robert Herbert , Lilly Martin Spencer , Gustave Courbet , Griselda Pollock , Diana Seave Greenwald , Giorgio Vasari , Museum Of Art , Royal Academy Summer Exhibitions , Princeton University Press , Princeton University , National Academy Of Design , Most Excellent Painters , Data Driven Histories , Nineteenth Century Art , Diane Seave , Are There No Great Women , National Academy , Metropolitan Museum , Painting Professionals , Civil War , Not Shown ,

The surprising partnership of art and data

In the mid-1960s, the renowned art historian Jules Prown was jeered. He was presenting new research at the annual meeting of the College Art Association, the principal professional art historical association. Prown had used a mainframe in the Yale University computer lab to examine links between the socio-economic backgrounds of American painter John Singleton Copley’s sitters and their preferences in portraiture. His first slide which showed an IBM punch card, then representative of cutting-edge computing technology prompted some colleagues to boo. [1] Recounting this experience, Prown recalled:
At first consideration, the art historian and the computer would seem to be eccentric companions. Art historians are concerned with qualitative discriminations that reveal themselves slowly…to the investigations of a trained mind and sensitive eye. The computer…deals with quantitative computations at an unvarying pace with incredible speed. Its monotonous, inflexible, unthinkin ....

United States , United Kingdom , Isabella Stewart Gardner Museum , Jules Prown , Diana Seave Greenwald , John Singleton Copley , Yale University , London Royal Academy , College Art Association , Yale University Press , Data Driven Histories , Nineteenth Century Art , Royal Academy , Seave Greenwald , Material Culture , New Haven , Art Historian , ஒன்றுபட்டது மாநிலங்களில் , ஒன்றுபட்டது கிஂக்டம் , இசபெல்லா ஸ்டீவர்ட் கார்ட்னர் அருங்காட்சியகம் , ஜான் சிங்கிள்டன் கப்பலே , யேல் பல்கலைக்கழகம் , லண்டன் அரச கலைக்கழகம் , கல்லூரி கலை சங்கம் , யேல் பல்கலைக்கழகம் ப்ரெஸ் , தகவல்கள் இயக்கப்படுகிறது வரலாறுகள் ,