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The Vigil and Saint Maud Are a Killer Double Feature – /Film


Being alone indoors is a common facet of pandemic life, but in
The Vigil and
Saint Maud, it’s also a recipe for religious horror. These two films, which recently hit VOD and streaming, bend in opposite directions yet are cut from the same cloth. Both have first-time writer-directors at the helm and both are distributed by indie-horror labels (
IFC Midnight and
A24, respectively). Moreover, both center on an isolated individual who comes to believe that a supernatural force is reaching out to them. In
The Vigil, it’s a demon from Jewish folklore, the mazzik. In
Saint Maud, it’s a Welsh-speaking version of God himself. ....

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Movie review: The Vigil


As a society, we aren’t exactly comfortable with death. Different communities and different cultures have their own unique traditions and approach the death of a loved one according to custom. Increasingly, Americans have a difficult time coming to terms with the loss of someone close, perhaps because they have not accepted their own mortality. Spending time with the deceased can, however, be beneficial for those who feel comfortable with the practice, as it offers an opportunity for relatives to say goodbye. It provides a sense of closure.
Growing up, I saw plenty of “dead” people in my living room — a constant barrage of homicide victims that sent 1970s TV detectives on the trail of that week’s guest killer. When relatives died, my parents shielded me from their funerals — for better or worse. It wasn’t until I was 20 that I encountered death firsthand: My father died at home alone, sitting in his favorite chair in front of the television i ....

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The Vigil is the first great horror film of 2021. Here's why.


Considering their reputation as dump months,  January and February seem to have over-delivered on the horror front in 2021. We ve already had Chloë Grace Moretz fighting chauvinism, Nazis, and airborne gremlins in the fun monster mash-up
Shadow in the Cloud. And Nicolas Cage continued to embrace the genre that best suits his wild-eyed persona in the gonzo animatronic slasher 
Willy s Wonderland. Even the reboot that no-one really asked for, 
Wrong Turn, managed to breathe new life into the unfathomably long-running hillbilly franchise.
However, only
The Vigil, which is finally arriving in the States this month (it debuted at the Toronto International Film Festival back in September 2019 and has been on other Netflix territories for months), can lay claim to being the first truly great horror of the year. Cleverly released to coincide with the celebration of deliverance from evil known as Purim (Feb. 26), it s also perhaps the first truly great horror to b ....

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