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Museums in the West are full of stolen treasures – by visiting them are we perpetuating the problem of colonial-era violence?

Museums in the West are full of stolen treasures – by visiting them are we perpetuating the problem of colonial-era violence?
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Days of future passed at Newfields


The Times.
Arts
Dan Grossman
When I first saw the wording for the job description, I thought back to the time when the Indianapolis Museum of Art at Newfields seemed to be making progress towards creating a truly 21st-century museum. 
It was July 2019. Kelli Morgan, the museum’s new associate curator, was taking me on a tour of the American galleries. She had just completed a partial rotation of artwork in the galleries. Her most striking choice was to place the painting “Knowledge of the Past is Key to the Future, St. Sebastian,” a work completed in 1986 by prominent African American artist Robert H. Colescott, among artworks from the Gilded Age. ....

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Author Dan Hicks, 'The Brutish Museums', and Newfields


Editor s note: On December 8, the IUPUI Arts and Humanities Institute (IAHI) hosted an Arts+Ethics webinar with author Dan Hicks. In my capacity as an IAHI research assistant, I wrote a preview article — on which this article is based — as a preview for this event. It first appeared in the IAHI blog on Nov. 6. 
In the African galleries at the Indianapolis Museum of Art at Newfields, you’ll find a brass plaque depicting a warrior, dating from between the 16th and the 18th centuries. But the gallery label doesn’t detail how the British military extracted this item from the Kingdom of Benin in Nigeria. ....

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