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Local writer and photographer Denise Davies has turned her attention to her own back yard for her new book. Her latest publication is called “Out and About Antigonish”. Davies offers recommendations to explore nature, hiking, beaches, history, and arts and culture less than two hours from Antigonish. The book with a variety of stunning […] ....
Designer Denise Davies, founder and CEO of Connecticut-based D2 Interieurs, agrees. She was hired to create a fun and functional space for her client who lives on a 30-acre property. The client’s three dogs roam free and need to be constantly cleaned. Davies decided a dog-washing station was a great solution because it doesn’t require the owner to stoop over, which means it’s easier on your back than a regular tub might be. “You can close the doors, and the dog can drip dry,” Davies says. “It also has the adjustable showerheads and nozzles so that you can really get all the shampoo and conditioner out of the dog’s hair.” ....
Like so much of the entertainment world one year ago, the Detroit Music Awards faced a stark choice: Throw in the towel or head to the Internet. With its Fillmore Detroit event canceled because of COVID-19, the DMAs team quickly whipped together a virtual version of the annual show, an “all in this together” production beamed from a host of living rooms. Packed with home-taped segments of widely varying quality including figures such as Sting, Alice Cooper, Chad Smith and Uncle Kracker the program became a charmingly ragged, emblematic artifact of that surreal spring of 2020. With a big in-person gathering still off-limits, the Detroit Music Awards will reprise the virtual concept for its 2021 show, a 30th anniversary celebration that starts at 8 p.m. Sunday. Having moved to the stable grounds of Facebook, and with a year to have streamlined the production, DMA organizers are promising a slicker version this go-round. ....
Jepke Goudsmit as Ruby, Graham Jones as Frankie, in Eccentrics (2000). Photo: Jos Schrijer-Zouff For the past couple of years, we have been working on a project dear to our heart: the readying of our plays for publication. Since our active years as live theatre-makers have come to an end, we feel the need to shape our body of work into some documented form. It enables us to reflect and let go, as well as preserve and pass on. Not because we dread the thought of sinking into oblivion (nothing is permanent), but because we believe it is important as elders to share our experience and hand over our legacy to the next generations. ....