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Bellotto's View of Verona with the Ponte delle Navi | Christie's

Bellotto's View of Verona with the Ponte delle Navi | Christie's
christies.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from christies.com Daily Mail and Mail on Sunday newspapers.

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Alone in the temporary new ruins of Rome

The most enduring images of this city after cataclysm were printed a little over 250 years ago, by the artist Giovanni Battista Piranesi. His “Ru ....

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Giovanni Battista Piranesi - Everything2.com

Giovanni Battista Piranesi
Fri Jul 09 2010 at 19:36:51
In the 17th century, there were large deserted districts of Rome, built in the time of the Cæsars and still more or less standing; they were largely situated on the outskirts of the city. In those days, you see, Rome was a shadow of its imperial self, a million strong; population crashed beginning in the 2nd century A.D, and had been recovering very slowly: people had been steadily scavenging the old quarters for material with which to build new houses, but there is only so much stone any one house needs, and people mostly took chunks of the Colosseum anyway; the stones are bigger and normally much better than those gotten from the remains of ancient domi, let alone the brick piles of the Aventinerookeries of old. Of course, the insulæ sometimes fell apart even while inhabited, but there were more ruins left of old Rome even in the 18th century than we, perhaps, might think. ....

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The Grand Tour and the Global Landscape - The Magazine Antiques

The Grand Tour and the Global Landscape
Tim Barringer
Fig. 1.
Rome from the Villa Madama by Richard Wilson (1714–1782), 1753. Oil on canvas, 37 5/8 by 52 ¼ inches.
Yale Center for British Art, Paul Mellon Collection.
During the eighteenth century, wealthy and privileged Britons, such as the group portrayed by Nathaniel Dance c. 1760 (Fig. 2), hastened south, to drink at the font of European civilization in Rome amid the ruins of an earlier empire, and to absorb the classics in literature and art. Habits of viewing the landscape that derived ultimately from the Grand Tour determined the ways British artists and travelers framed their visual experience of the rest of the world. The Grand Tour thus lies in the ancestry of what I will call “global landscape,” the art of the British Empire. In the eighteenth and nineteenth centuries, British artists traveled south first to Italy, and then to the Pacific, and then across the globe. Wherever they went, they ....

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Plein-air painting in the cold | Apollo Magazine

It’s easy to understand why
plein air landscape painting first took off in Rome in the late 18th century. Visiting artists and Grand Tourists alike, keen to escape the sweltering heat, and plagues, in the city, journeyed out to beauty spots in the surrounding hills for fresher air and a spot of ‘scene painting’ – capturing famous views with more or less skill for their travel diaries and sketchbooks (no cameras or iPhones then). Such scenes were often crowded and convivial, attracting painters from every corner of Europe – and not just in summer. Would that we could flock there too, now that the dark days of winter are drawing in, and art classes are closed by Covid restrictions. Many of us have been forced by our own plague to amuse ourselves outdoors in this chilly season – so why not paint ....

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