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Judas and the Black Messiah review: Treachery and remorse in drama about the Black Panther Party

Lakieth Stanfield in Judas and the Black Messiah (2021)
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MACRO/Participant/Bron Creative/Proximity
Recent efforts to highlight invisibilised aspects of the African American experience have often relied on true stories. Ava DuVernay’s
Selma (2014) revisits a set of landmark protest marches that defied segregation and demanded voting rights for the community.
Hidden Figures (2016) reveals the involvement of African American female mathematicians in the National Aeronautics and Space Administration’s project to send astronauts into space. Spike Lee’s
B
lacKkKlansman (2018) draws from the real-life story of a Black detective who was assigned to infiltrate the White supremacist Ku Klux Klan organisation. The premise of ....

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'Judas and the Black Messiah' Review The Young Folks

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Hollywood’s relationship with the Black Panther Party is about as graceful and nuanced as the general public’s, and that’s certainly no accident. Though plenty of documentaries have taken great pains to accurately outline the Panthers’ roots, including the more recent
Vanguard of the Revolution from Stanley Nelson, attempts at fictionalizing the once far-reaching, Oakland-based movement have ranged from being punchlines in
Forrest Gump to pitiable victims in last year’s
The Trial of the Chicago 7. And this is mainly because storytellers generally don’t have a clue how audiences will react to a film that presents outspoken, militant, American socialists as underdog protagonists, which is sort of the point in Shaka King’s new biographical drama, ....

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