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Dia is ready to mix things up in Chelsea

Dia reopened in Chelsea, after a two-year renovation
Photo: Elizabeth Felicella, courtesy of Dia
In 1987, when the Dia Foundation established an outpost for art in what was then a low-slung spread of taxi garages and auto repair shops, the Chelsea of today was unimaginable. At five storeys, Dia’s building was one of the tallest in the area, which felt remote from the dozens of galleries, bars, shops and high concentration of artists in SoHo. That lack of distraction was perfect for Dia, which carved space out of time for the long, slow absorption of its commissioned, year-long exhibitions.
Yet in a scenario that has been repeated so frequently it seems to have been ordained by an unnamed master of the universe, art made a wilderness safe for development. Dia sold its building when structural repairs proved more expensive than building anew, which it only did in Beacon, but it held onto three other properties on West 22nd Street. Unfortunately, su ....

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Dia takes Manhattan | Apollo Magazine

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Once upon a time, you could stand on the roof of 548 West 22nd Street, up among the water towers of Manhattan, with views out over the Hudson to New Jersey, and watch the city shimmer and reflect on the surfaces of one of Dan Graham’s glass pavilions. It was a New York moment. You could go downstairs, following the blue and green glow of a Dan Flavin light sculpture lining the stairwell, and see shows by leaders in contemporary European and American art reaching back to the 1960s. The galleries here, at Dia Center for the Arts, were some of the first to display Richard Serra’s ....

New York , United States , United Kingdom , New Mexico , Great Salt Lake , Pays De La Loire , Gerhard Richter Atlas , Carl Andre , Barnett Newman , Heiner Friedrich , La Monte Young , Walter De Maria , Dorothea Rockburne , Robert Smithson , Dan Flavin , Sam Gilliam , Carl Craig , Richard Serra , Lucy Raven , Philippe Vergne , Jessica Morgan , Leonard Riggio , Max Neuhaus , Monte Young , Robert Gober , Katharina Fritsch ,

After a $20m renovation, Dia is poised to re-emerge as a force in Chelsea

Re-emerging as a force in Chelsea
after a two-year, $20m renovation, the Dia Art Foundation’s space there will reopen on Friday (16 April) with a renewed purpose: to champion under-recognised artists and to serve as an information hub for all 11 of Dia’s long-term art sites.
The foundation’s Chelsea renovation unites its three contiguous buildings on West 22nd Street and underlines its gritty history of inventively revitalising existing structures. The 32,500 sq. ft project, which includes 20,000 sq. ft for exhibitions and other programming, embraces the neighbourhood’s traditional character and architectural vernacular, with wide-open industrial-style spaces, exposed brick, wooden ceiling beams and rehabilitated skylights that allow natural light to pour in and illuminate the art. It also reasserts the foundation’s importance in championing long-term art installations that flood the senses. ....

New York , United States , Great Salt Lake , Hudson River , Whitney Museum Of American Art , City Of , United Kingdom , Jorge Pardo , Carl Andre , Gabriela Herman , Walter De Maria , Dan Graham , Robert Smithson , Donald Judd , Dan Flavin , Roni Horn , Robert Irwin , Jenny Holzer , Richard Serra , Lucy Raven , Zoe Leonard , Joseph Beuys , Philippe Vergne , Jessica Morgan , Donna De Salvo , Camille Norment ,

Two Major Museums More Than 1,600 Miles Apart Have Jointly Acquired a Sprawling Sam Gilliam Installation

Sam Gilliam,
Double Merge (1968). Installation view, Dia:Beacon, Beacon, New York, 2019. © Sam
Gilliam/Artists Rights Society (ARS), New York. Photo: Bill Jacobson Studio, New York. Courtesy of Dia Art Foundation.
There is no joy in possession without sharing, Erasmus once said and it’s a lesson museums are learning.
The Dia Art Foundation and the Museum of Fine Arts, Houston, have jointly acquired an early landmark work by Sam Gilliam, which the two institutions will share moving forward. The institutions have split the purchase price evenly.
The price for the artwork was not disclosed, though the
Financial Times reported that “market experts estimate a seven-figure sum.” ....

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Parashat Vayakhel ויקהל: "The artists in our lives" | Martin Sinkoff

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Miriam Dreiblatt, architectural designer. The Restorative Justice Community Center in Middletown, CT. The community center serves Middletown residents in addition to providing space for Restorative Justice practice, an alternative to the traditional judicial system where crime victims and perpetrators participate in mediated conflict resolution. In development with local advocacy organizations, the layered design embeds the circle process and support rooms within the public space to expose community members to Restorative Justice; yet, ensures the participants’ privacy by obscuring the rooms’ entryways and orienting the view toward the outside. The building reinterprets Mid ....

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