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Princess to queen to guillotine: the tragic fate of Marie Antoinette


Edward Matthew Ward (1816–1879)
Harris Museum, Art Gallery & Library
In her last moments, Marie Antoinette wrote to her sister-in-law, Madame Elisabeth, with whom she had developed a close and genuine friendship over the years.
Élisabeth Louise Vigée Le Brun (1755–1842) (style of)
National Trust, Cliveden
Her only thoughts went to her children, whom she desperately wanted to protect, even after her death. It grieves me very sensibly to leave my poor children; you know that I existed only for them and you, my kind and affectionate sister.
She advised, Let them both reflect on what I have unceasingly taught them, that virtuous principles and the exact performance of every duty, are the first basis of life; that their happiness will depend on their mutual affection and confidence. She ended her letter with what she wanted her legacy to be: Let them never seek to revenge our death. It was for her wise words and her maternal af ....

New York , United States , United Kingdom , Metropolitan Museum Of Art , City Of , Îe De France , Valentine Cameron Prinsep , Maria Theresa , Sudbury Hall , Maximilien Fran , Marie Antoinette , Alexander Kucharski , Waddesdon Manor , Julie Roberts , Joseph Siffred Duplessis , Carrie Antoinette , Le Brun , Jean Antoine Houdon , Museum Of Art , National Galleries Of Scotland , Committee Of Public Safety , Cotes Art Gallery Museum , National Gallery , Holy Roman Empire , Metropolitan Museum , Self Portrait ,

Bournemouth's 'blue rinse' and 'God's waiting room' stereotypes


AMONG the many people to have disparaged Bournemouth over the years is James Bond.
In Ian Fleming’s 1954 novel Live and Let Die, the character of Solitaire is heaping contempt on St Petersburg in Florida as a place full of “oldsters” who go to bed at 9pm.
“It sounds rather like Bournemouth or Torquay. But a million times worse,” says Bond.
That image of Bournemouth as a retirement destination has persisted.
The 1990s sitcom Waiting For God was set in a Bournemouth retirement home and much of One Foot in the Grave was made locally.
And one phrase recurs when the national media write about the resort: “Blue rinse”. ....

United Kingdom , City Of , West Sussex , Shealan Faere Butler , Stephen Chappell , Hugh Ashley , Cllr Mohan Iyengar , Jo Oconnell , Craig Mathie , Poole Museum , Bournemouth University , Waiting For God , One Foot , Daily Telegraph , Old Chirstchurch Road , Will Haydock , From Blue Rinse , Second World War , Daily Echo , Mollie Sugden , Mrs Slocombe , Are You Being , Bournemouth Tourism , Shealan Faere , Destination Management Board , Mohan Iyengar ,

The Great British Art Tour: a dazzling young man who commands attention


The Great British Art Tour: a dazzling young man who commands attention
With public art collections closed we are bringing the art to you, exploring highlights from across the country in partnership with Art UK. Today’s pick: Nottingham’s Hibiscus Flower by William Ranken
Detail of Hibiscus Flower, c1922, by William Bruce Ellis Ranken (1881-1941). Photograph: Nottingham City Museums
Detail of Hibiscus Flower, c1922, by William Bruce Ellis Ranken (1881-1941). Photograph: Nottingham City Museums
LouiseDunning,curatorfineanddecorativearts,NottinghamCityMuseumsandGalleries
Fri 5 Mar 2021 01.00 EST
Last modified on Fri 5 Mar 2021 06.47 EST
William Bruce Ellis Ranken was a Scottish-born aesthete and painter known for his sumptuous interiors and elegant portraits of Edwardian society figures. Hibiscus Flower, painted around 1922, is a luminous celebration of male beauty and the male gaze. At nearly two metres tall in its frame, its scale and palette of daz ....

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