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The Parthenon Report: Mohammed s Cat (Part 1) — Greek City Times

The Parthenon Report: Mohammed s Cat (Part 1) — Greek City Times
greekcitytimes.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from greekcitytimes.com Daily Mail and Mail on Sunday newspapers.

The Great British Art Tour: a dazzling young man who commands attention

The Great British Art Tour: a dazzling young man who commands attention With public art collections closed we are bringing the art to you, exploring highlights from across the country in partnership with Art UK. Today’s pick: Nottingham’s Hibiscus Flower by William Ranken Detail of Hibiscus Flower, c1922, by William Bruce Ellis Ranken (1881-1941). Photograph: Nottingham City Museums Detail of Hibiscus Flower, c1922, by William Bruce Ellis Ranken (1881-1941). Photograph: Nottingham City Museums LouiseDunning,curatorfineanddecorativearts,NottinghamCityMuseumsandGalleries Fri 5 Mar 2021 01.00 EST Last modified on Fri 5 Mar 2021 06.47 EST William Bruce Ellis Ranken was a Scottish-born aesthete and painter known for his sumptuous interiors and elegant portraits of Edwardian society figures. Hibiscus Flower, painted around 1922, is a luminous celebration of male beauty and the male gaze. At nearly two metres tall in its frame, its scale and palette of dazzling colours command at

The story of a saga of collectors and the museo Carmen Thyssen Málaga

The story of a saga of collectors and the museo Carmen Thyssen Málaga The Thyssen-Bornemisza Collection, which is one of the most important art collections of the 20th century, was formed in only two generations. Its precursor was August Thyssen, the second Baron’s grandfather, who exchanged letters with the sculptor Rodin and even acquired several of his works. August’s third son, the first Baron Thyssen, managed to gather together an extremely important core of European artworks dating from the 13th to the 18th century, with the emphasis on portraits. The second Baron, Hans Heinrich Thyssen, who at only twenty-three years of age was obliged to take up the reins of the Thyssen empire upon his father’s death in 1947, not only managed to hold together his father’s legacy but also made additions to it in the form of works by the German Expressionist school, the Impressionists, the American Post-Impressionists, and the foremost 20th-century tendencies, with a

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