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When writing about
Dries Van Noten’s Spring/Summer 2015 collection back in 2014, Tim Blanks noted that, “It’s fashion’s job to remind us that beauty is a human need.” This is something I’ve thought about often in the years since that show, particularly in relation to Van Noten, who, perhaps more than any other designer working today, continues to remind us of this eternal truth.
This season is no exception. Presented as part of Paris Men’s Fashion Week’s digital showcase, Van Noten’s Autumn/Winter 2021 menswear collection offered a ”fresh, new-fashioned, take on the familiar”; “whispering precision, purity abstracted, subtly lavish, calm and open, spare, informal, unceremonious.” In contrast to his last, fairly exuberant Autumn/Winter menswear collection – which was a high-voltage, high-glam offering centred around the idea of “using your sexual power to feel great” – this was a much more subdued affair. Muted, even. Sensitive to the times.
Wait a minute! I’m confused for the reason why this article noted: “the piece’s rich yellow serves as a backdrop for a painting of a jazz musician by artist Richard Phillips.”
But did say nothing about this actual painting above on the background behinds Naomi’s head.
It’s obvious that quote was purposefully intended to confuse the public and to promote Richard Phillips.
But the painting is by Haitian artist Ulrick Jean-Pierre with the Haitian independence heroes for subject.
I’m quiet sure none of you didn’t asked Ulrick his permission to use his image. Because you have credited another artist who has no painting image in this project without any consideration for this existing Jean-Pierre’s painting image with Naomi’s head that are the center point of your project.