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At Salzburg, Don Giovanni gets no pleasure from seducing


At Salzburg, Don Giovanni gets no pleasure from seducing
Romeo Castellucci © SF/Anne Zeuner.
by Ben Miller
(NYT NEWS SERVICE)
.- “Chi son io, tu non saprai,” stage director Romeo Castellucci said during a recent interview in the lobby of the Salzburg Festival’s main theater. He smiled and gestured to an interpreter, who gave the translation: “You will never know who I am.”
The phrase is part of the title character’s entrance line in Mozart’s “Don Giovanni” and announces the work’s strangeness and ambiguity, the way it shifts between comedy and tragedy. Few stage directors would seem better able to explore and honor its mysteries than Castellucci, who emerged from the world of experimental theater to produce an ongoing series of abstract and enigmatic opera productions. ....

New York , United States , Donna Anna , Don Ottavio , Michael Spyres , Alban Berg , Don Juan Giovanni , Romeo Castellucci , Richard Strauss , Cindy Van Acker , Davide Luciano , Teodor Currentzis , Lorenzo Da Ponte , Markus Hinterh , Don Giovanni , Donna Elvira , New York Times , Salzburg Festival , Don Juan , Vienna Philharmonic , Mozart Da Ponte , Grosses Festspielhaus , புதியது யார்க் , ஒன்றுபட்டது மாநிலங்களில் , டோனா அண்ணா , அல்பன் பெர்க் ,

La clemenza di Tito, Royal Opera review - light and dark in near-perfect balance


La clemenza di Tito, Royal Opera review - light and dark in near-perfect balance | reviews, news & interviews
La clemenza di Tito, Royal Opera review - light and dark in near-perfect balance
La clemenza di Tito, Royal Opera review - light and dark in near-perfect balance
Mozart s hard-to-pace, musically masterful coronation opera has the right team
by David NiceTuesday, 18 May 2021
Emily D Angelo as Sesto in thrall to Nicole Chevalier s dominatrix VitelliaAll images by Clive Barda
It looked as if the Royal Opera might be trying to keep its distance with the first new production since lockdown.
It looked as if the Royal Opera might be trying to keep its distance with the first new production since lockdown. After all, Mozart’s last opera – only the Overture and March of the Priests in ....

Roy Andersson , Dangelo Sesto , Emily Dangelo , Mark Wigglesworth , Edgaras Montvidas , Teodor Currentzis , Lorenzo Da Ponte , Richard Jones , Nicole Chevalier Vitellia , Fumi Kaneko , Emperor Titus , Anton Stadler , Nicole Chevalier , Christina Gansh , Angela Brower , Adam Silverman , Montvidas Tito , Peter Sellars , Royal Opera , Magic Flute , Emperor Leopold , Royal Opera Orchestra , Clarinet Concerto , Royal Opera Clemenza , Act Two , Act One ,