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Composer Jerod Impichchaachaaha Tate Releases LOWAK SHOPPALA on Azica Records

Composer Jerod Impichchaachaaha Tate Releases LOWAK SHOPPALA on Azica Records Jerod Impichchaachaaha Tate, is a classical composer dedicated to the development of American Indian classical composition.by Chloe Rabinowitz Composer Jerod Impichchaachaaha Tate today released the world premiere recording of Lowak Shoppala (Fire and Light) on Azica Records. Lowak Shoppala expresses Chickasaw identity through the medium of modern classical music and theatre through eight scenes and features orchestra, narration of a libretto by Chickasaw poet and Pulitzer Prize finalist Linda Hogan, children s chorus, traditional Chickasaw and classical vocal soloists, and Chickasaw storytellers. Each scene (Fire and Light, Double Header, Shell Shaker, Clans, Removal, Spider Brings Fire, Hymn, Double Header & Finale) depicts a part of Chickasaw culture and history and is sung in Chickasaw.

Composer Jerod Impichchaachaaha Tate to Release LOWAK SHOPPALA On Azica Records

Composer Jerod Impichchaachaaha Tate to Release LOWAK SHOPPALA On Azica Records The recording, conducted by Tate, features the Chickasaw Nation Children s Chorus and Nashville String Machine.by BWW News Desk On Friday, June 4, 2021, composer Jerod Impichchaachaaha Tate will release the world premiere recording of Lowak Shoppala (Fire and Light) on Azica Records. Lowak Shoppala expresses Chickasaw identity through the medium of modern classical music and theatre through eight scenes and features orchestra, narration of a libretto by Chickasaw poet and Pulitzer Prize finalist Linda Hogan, children s chorus, traditional Chickasaw and classical vocal soloists, and Chickasaw storytellers. Each scene (Fire and Light, Double Header, Shell Shaker, Clans, Removal, Spider Brings Fire, Hymn, Double Header & Finale) depicts a part of Chickasaw culture and history and is sung in Chickasaw.

Volume 61, Issue 4 | Mass Review

WE ARE HONORED to present to you the very first Massachusetts Review issue focused on Native American writing. We are thankful to Associate Editor N. C. Christopher Couch and the rest of the MR team for dreaming up this issue and for asking us to be guest editors, and we are especially thankful to the writers and artists whose work we’ve chosen for this special issue. Their words and images are a gift. This issue, as it was first imagined, was set to coincide with and push back against Massachusetts’s planned celebration of the four hundredth anniversary of the

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