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Adapting plays for the screen can be tricky, or touchy


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Adapting books, plays and other forms of intellectual property for the screen has always brought its unique set of challenges, most especially how to make the film version as satisfying as the often popular, lauded, sometimes even iconic material it’s based on.
This season, a handful of movies based on successful stage works are vying for awards attention, with three “The Boys in the Band,” “Ma Rainey’s Black Bottom” and “The Father” having the distinction of being scripted in part or in whole by someone other than the original playwright, unlike say, “One Night in Miami,” which was adapted by its original playwright, Kemp Powers. ....

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In a year of losses, something gained: How theater was artfully brought to the screen


In a year of losses, something gained: How theater was artfully brought to the screen
Amid the pandemic shutdown, Broadway shows found new life as films.
Meryl Streep and James Corden star in The Prom, director Ryan Murphy s film version of the 2018 Broadway musical.(Melinda Sue Gordon / Netflix)
By Charles McNulty|Los Angeles Times
11:01 AM on Dec 11, 2020 CST
For much of 2020, the theater has been accessible only by screen.
This is like experiencing the cold through a picture of a snowman. It’s obviously not the same thing.
But in a year of manifold losses, plays and musicals have found ways not simply to survive but also to thrive in new mediums. The Broadway productions of ....

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