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Courtesy of Universal The Oscars frontrunner s complicated predicament in her home country highlights the increasingly charged nature of U.S.-China film relations, with the China release of Nomadland and Disney s Marvel tentpole The Eternals hanging in the balance. If you find yourself the subject of a nationwide internet backlash, the most natural reaction might be to lie low for a while. But Chinese filmmaker Chloé Zhao probably doesn t have that option. When Zhao won the best director award at the Golden Globes on Feb. 28 a first for an Asian woman the moment was as widely celebrated in China as it was in the U.S., with Chinese news outlets and social media users rallying around her success as a source of national pride. Within a day, however, the mood dramatically darkened. Internet sleuths unearthed old interviews in which Zhao appeared critical of her country, and before long, debate and vitriol over her attitude towards China was spreading just ....
China, una carrera hacia el éxito todavía plagada de obstáculos elperiodico.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from elperiodico.com Daily Mail and Mail on Sunday newspapers.
China’s National Health Commission announced Monday that for the first time in about two months, its mainland recorded no new locally transmitted COVID-19 cases. ....
China has been criticised widely across the world for its alleged role in the spread of the novel coronavirus that has infected over 100 million people across the world ....
Stanley Rosen: Slabs and coils, scallops and disks February 6, 2021 2:30 pm Stanley Rosen, installation view at Steven Harvey Fine Art Projects Contributed by Rachel Youens / Stanley Rosen came of age as a sculptor during the 1960s and 1970s, when ceramicists and sculptors were challenging the hegemonic hold that painting had in the art world as the medium of heroic significance. His sculptures are made at a modest scale that, somewhat paradoxically, implies monumentality. Incorporating and cross-pollinating vessels and architecture, his formal language adapts traditional methods to new expressions. He employs slabs, coils, scallops, disks, and tiles. Most works are unglazed in various earthen clay hues – ochers, siennas, or charcoal – leaving us to ponder porous or metallic surfaces. Crucially, Rosen’s forms accommodate the spatial limits they meet and inhabit, welcoming viewers in. ....