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Art Industry News: Why Are Western White Dudes Getting So Many of China's Top Museum Jobs? + Other Stories

Art Industry News: Why Are Western White Dudes Getting So Many of China's Top Museum Jobs? + Other Stories
artnet.com - get the latest breaking news, showbiz & celebrity photos, sport news & rumours, viral videos and top stories from artnet.com Daily Mail and Mail on Sunday newspapers.

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Artdaily - The First Art Newspaper on the Net


The First Art Newspaper on the Net
 
by Antonio Gabassi
LONDON
.- Henry Ward got the inspiration for his new body of work – on display in his big summer solo show ‘Baffle’ – from the gutter. Literally from the gutter. Back in 2017, looking for stimuli to kick start a new series of abstract oil paintings, be decided to make little sculptures from random stuff he found on the ground when he was walking round the streets of London, where he lives. He built up a large collection of “rubber bands, squashed toys, bent nails, bits of plastic, that sort of thing”, and then, on his kitchen table, fashioned them into ingenious little works of art. “Unfortunately, the resulting paintings were rubbish,” he remembers with a smile. Fortunately, though, the act of making the sculptures – and he produced scores of them . More ....

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The Huntington Gets Hip


The Huntington Gets Hip
“Made in L.A.” represents an effort by the Huntington to expand its contemporary art programming and present more artists of color.
Monica Majoli’s installation for the Huntington Art Museum’s “Made in L.A. 2020: a version.” Her series “Study for Blueboy,” named after an early gay magazine, focuses on centerfolds from 1976 to 1979, the halcyon years of gay liberation.Credit.The Huntington Library, Art Museum, and Botanical Gardens; Joshua White
April 20, 2021Updated 1:49 p.m. ET
SAN MARINO, Calif. The juxtaposition is striking. In one gallery, Thomas Gainsborough’s classic 18th-century oil painting, “The Blue Boy,” gazes out from the ornate walls, having just undergone an extensive restoration. In another gallery, an installation by the Los Angeles artist Monica Majoli explores Blueboy magazine, one of the earliest gay publications in the U.S., through sultry images of scantily dressed young men. ....

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John Constable and Paul Huet: Marsh and Flood – Tate Papers


National Gallery, London
Much has been written about John Constable’s success at the Paris Salon of 1824, but his participation in the next Salon of 1827–8 has received far less attention. This relative neglect is perhaps not so surprising, given that the single painting he exhibited,
The Cornfield 1826 (fig.1), did not repeat his earlier triumph. The same Salon at which Constable met with a critical setback, however, also marked the debut of Paul Huet, the artist usually regarded as his closest French follower. But if critics and artists seem out of step in their attitudes to the English artist in the later 1820s, the real flowering of Huet’s engagement with Constable has often been overlooked, since it came more than a quarter of a century later. ....

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